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    <lastmod>2024-11-06</lastmod>
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      <image:title>Broschofsky Galleries</image:title>
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      <image:title>Broschofsky Galleries</image:title>
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    <loc>https://www.brogallery.com/contact</loc>
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    <lastmod>2020-08-01</lastmod>
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      <image:title>Contact</image:title>
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      <image:title>Contact</image:title>
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      <image:title>Contact</image:title>
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  <url>
    <loc>https://www.brogallery.com/about-rudi</loc>
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    <lastmod>2020-11-20</lastmod>
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      <image:title>About Rudi - Rudi Broschofsky</image:title>
      <image:caption>Situated somewhere in between representation and abstraction sit the works of artist Rudi Broschofsky. Taking a Street Art approach to Western Art makes his process completely unique to both genres. His paintings are constructed entirely out of spray paint, which is accomplished through a calculated process of creating meticulous stencils with an X-Acto knife. A stencil may take upwards of 120 hours to create and sometimes may only be used once. From nearby the subject matter is nonrepresentational but with space the composition becomes unmistakable. Although Rudi's educational path does not lead to the arts, it did play a pivotal role in his style and his artwork as a whole. Rudi graduated from SDSU in 2005 with a degree in business finance. "I like finance because it makes sense to me- numbers go into a calculation and numbers come out, it is logical and can be proven and checked", he says. His painting process relates to this in a sense, the creative process is like building an equation. Once the equation is in place, Rudi knows what the end result will look like if his process is carried out carefully and correctly. Unlike other artists, once his design is in place there is little creative freedom or room to change what the final product will be.  Rudi's art is unquestionably influenced by his upbringing and art has continually played a key role in his life. Rudi was spoon fed into western art with his parents opening Broschofsky Galleries in 1987 when he was five years old. Growing up surrounded by a variety of western masters ranging from Edward Curtis's iconic turn of the century photographs all the way to Andy Warhol's Cowboys and Indians pop art had a large impact on the subject matter that he chooses to focus on. While much of the art that has influenced him is traditional western art, his style also incorporates an entirely different genre of art that has worked its way into the fine-art world over the past decade, Urban Art. Through the use of intricate stencils, spray paint and resin, Rudi attempts to incorporate a modern look to an otherwise customary subject matter. CV: Solo Shows: Urban Cowboy, Flat Blak Gallery, Portland, OR, October 2018 Modern Frontier, Ketchum Innovation Center, Ketchum, ID, December 2017 Best of the West, Broschofsky Galleries, Sun Valley, ID, July 2017 Western Pop, Flat Blak Gallery, Portland, OR, July 2017 Group Shows: Art in the West, High Desert Museum, Bend OR, July 2020 Yellowstone Art Auction 52, Yellowstone Art Museum, Billings, MT, Jan-March 2020 Art in the West, High Desert Museum, Bend, OR, July 2019 Art in the West, High Desert Museum, Bend, OR, July 2018 Small Works Exhibition, Modern West Fine Art, Salt Lake City, UT, December 2017 The Grey Policy, Evo Gallery, Portland, OR, September 2017 One Moto Show, Old Industrial Foundry, Portland, OR, February 2017 Small Works Exhibition, Modern West Fine Art, Salt Lake City, UT, December 2016 Death to Day Jobs III, Ochi Gallery, Sun Valley, ID, July 2014 Death to Day Jobs II, Ochi Gallery, Sun Valley, ID, July 2013 Death to Day Jobs, Ochi Gallery, Sun Valley, ID July 2012 Publications: BigLife, Western Art’s Newest Jam, 2020 Pamplin Media, Artists Show Art and Skill in Open Studio Tour, 2019 SVPN, Urban Cowboy (featured fine artist), October 2018 Art in the West, High Desert Museum, June 2018 Hospitality and Design, Studio 11 Completes Hotel Ketchum Refresh, 2018 Visit Sun Valley, Explore their modern art scene (featured artist), January 2018 Eye on Sun Valley, Art Takes Flight, 2017 Visit Sun Valley, Death to Day Jobs, 2014 Sun Valley Magazine, Death to Day Jobs, 2013 Permanent Collections: Traeger Grills HQ, Salt Lake City, UT Yellowstone Art Museum, Billings, MT Sun Valley Company’s Warm Springs Lodge, Sun Valley, ID Wood River Inn, Hailey, ID Wareham Development Medical Research, San Francisco, CA Hotel Ketchum, Ketchum, ID Public Art: The Roper, 10’ x 5’ Fabricated Steel Sculpture, Sun Valley, ID 2020 The Helping Hand, 85’ x 39’ (art director and lead assistant), Portland, OR, 2018 Flight, 5’ x 36’, Sun Valley, ID 2017 Cover Art Project, Electrical Box wrap, Ketchum, ID, 2016</image:caption>
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  <url>
    <loc>https://www.brogallery.com/about-schenck</loc>
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    <lastmod>2020-03-30</lastmod>
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      <image:title>About Schenck - Billy Schenck</image:title>
      <image:caption>Billy Schenck has been known internationally for 44 years as one of the originators of the contemporary "Pop" western movement. Schenck has had over 100 solo shows and is included in 44 museum collections. Bill Schenck was born in a small town north of Columbus, Ohio, in 1947. He spent childhood summers exploring the wilderness near Lander, Wyoming. He attended Columbus College Of Art and Design from 1965 to 1967, and received his BFA from Kansas City Art Institute in 1969.  While still a young man, he moved to New York where he was influenced by the Photo-Realists, Color Field, and Minimalist painters in vogue at the time.  When he was 24 years old, his first solo show in New York City sold out.   Early in his career, Schenck became known for utilizing cinematic imagery, reproduced in a flattened, reductivist style, where colors are displayed side-by-side rather than blended or shadowed. His art incorporates techniques from Photo-Realism and Pop Art to both praise and mimic classic western images. His work is characterized by hot colors, surreal juxtapositions and patterning which explore clashes between wilderness and civilization, the individual and community, nature and culture, freedom and restriction.   In the mid-1970's, the work exemplified in his paintings drew him west, where he split his time between Wyoming and Arizona. He now lives in Santa Fe, New Mexico. His work can be found in numerous major collections throughout the world, including the Smithsonian Institution, Denver Art Museum, The Autry Museum of Western Heritage, Booth Western Art Museum, Tucson Museum of Art, and many more. Schenck's work has been the subject of four museum retrospectives, including The West as It Never Was, at the Albrecht Kemper Museum of Art.   The 2013 illustrated book, Schenck in the 21st Century: The Myth of the Hero and the Truth of America, by Amy Abrams, features paintings, caption drawings and caption paintings produced by Schenck from 2000-2012. A book of his serigraphs, Bill Schenck: Serigraphs 1971-1996, was published in 2010 in conjunction with a touring retrospective of the same title.   Selected museum collections: The Autry National Center Booth Western Art Museum Buffalo Bill Historical Center, Whitney Western Art Museum Denver Art Museum Desert Caballeros Western Museum Eiteljorg Museum of American Indians and Western Art Scottsdale Center for the Arts Smithsonian Institution Tucson Museum of Art</image:caption>
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  <url>
    <loc>https://www.brogallery.com/about-young</loc>
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    <lastmod>2020-04-22</lastmod>
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      <image:title>About Young - Russell Young Russell Young is an internationally acclaimed pop artist best known for his compelling larger than life screen print images from history and popular culture. Russell Young was born in Northern England in 1960.  From an early age he was powerfully drawn to the idealized drama of the American dream.  He studied film, drawing, photography and graphic design.  After college he moved to London.  He started taking photographs at the live club shows of bauhaus, R.E.M. and the Smiths.  In 1986, he shot the iconic ‘Faith’ sleeve for George Michael. In September 1999, Young moved to New York, rented a studio in Brooklyn and began a series of experiments he called, ‘Combine Paintings’. He also started what he believed were an extension of his photography in a new series of ‘Pig Portraits’ attacking the nature of photography, portraiture and prickly nature of celebrity itself.  He showed his firs series of Pig Portraits in Los Angeles in 2003. Well known for his bold, iconic, silkscreen paintings of pop imagery turned upon themselves to explore the nature of the American counter culture as seen through the eyes of a young boy growing up in Northern England, his bold ground breaking screen print renditions present a visual journey that bares witness to both the excess and ambition that has helped shape the Amrerican Dream, a brooding and sometimes brutal celebration of the characters and events that glamorise and chastise in equal measure, whether through direct visual reference or by title, the works set out to both assert and challenge our perception and understanding of what it is to be American in the 21st century. His body of work includes painting, screen printing, sculpture, installations and film.  He has shown in galleries and museums in London, Paris, Vienna, Berlin, Tokyo, Singapore, New York, Detroit, Miami and Los Angeles.  His work is included in the collections of Aby Rosen, The Qatari Royal Family, Kate Moss, David Bowie, Liz Taylor, Barack Obama, The Albertina Museum, The Saatchi Collection, and Brad Pitt.  Exhibitions include Fame + Shame (2005), Horsepower (2007), Diamond Dust (2008), Dirty Pretty Things (2009), Diamonds are Forever (2010), American Envy (2011), Only Anarchists are Pretty (2012), American Envy (2012), The Fight of the Paso del Mar (2014), Marilyn California (2013), Helter Skelter (2014), Lost Angels (2014), Kate Moss (2015), and Forever Young (2015). Russell Young lives and works in California and New York.</image:title>
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  <url>
    <loc>https://www.brogallery.com/about-villa</loc>
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    <lastmod>2020-07-27</lastmod>
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      <image:title>About Villa - Theodore Villa Born in Santa Barbara, California, Theodore Villa was raised by his maternal grandmother of White Mountain Apache (Coyotero) and Spanish ancestry. He gained a Bachelors of Fine Arts, followed by a Masters, at the University of California, Santa Barbara. His grandmother’s stories and legends are one of the primary sources through which Villa culls his inspiration for his watercolor paintings. Rendered in vibrant washes, the compositions reverberate with echoes from the past while delivering their message in dynamic contemporary terms. A tactile quality carries throughout his works, beads render a shiny brilliance, buckskin looks like hand-tanned leather, fur looks real and feathers warrant closer inspection. In opposition to most static museum displays, Theodore’s works have life, motion and humor. Fringe floats, balance emerges—that between illusion and allusion. Since the mid 1960s Villa has exhibited works in one man gallery shows as well as museums and Universities in the West, and also throughout the U.S. and Europe, including: Museum of Northern Arizona, Flagstaff, AZ Kimball Art Center, Park City, UT Centro Washington Irving, Madrid, Spain The Heard Museum, Phoenix, AZ Center of Contemporary Art, Seattle, WA Millicent Rogers Museum, Taos, NM. Native American Rights Exhibition (National Tour) Arizona Commission on the Arts, (National Tour) Institute of American Indian Art, Santa Fe, NM Taylor Museum, Colorado Springs Fine Art Center, Colorado Springs CO Museum of the Rockies, Bozeman, MT American Indian Contemporary Art Gallery, San Francisco, CA (European Tour) Santa Barbara Museum of Natural History Palais De nations, Geneva, Switzerland Willamette University, Salem, Oregon Oklahoma State University, Stillwater, OK (National &amp; Canadian Tour) Sun Valley Center for the Arts, Sun Valley, ID Los Angeles County Museum of Art, LA, CA Purdue University Gallery, West Lafayette, IN Newport Harbor Museum of Art, Newport Beach, CA Palm Springs Museum of Art, Palm Springs, CA Minneapolis Museum of Art, Minneapolis, MN -(DRAWINGS U.S.A.) Laguna Beach Museum of Art, Laguna Beach, CA San Diego Museum of Art, San Diego, CA Occidental College, Eagle Rock, CA National Watercolor Society, LA, CA (National Tour) Cal State University, LA, CA St Mary’s College, LA, CA University of California, Santa Barbara., CA</image:title>
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  <url>
    <loc>https://www.brogallery.com/about-de-groot</loc>
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    <lastmod>2020-04-23</lastmod>
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      <image:title>About de Groot - Ewoud de Groot Born in 1969, Ewoud De Groot lives in Egmond Aan Zee, a small former fishing town in northern Holland.  De Groot’s interest in wildlife art, particularly coastal wildlife, dates back to his childhood. He spent many of his weekends and holidays with his family on the open sea in an old Dutch shrimp cutter.  Roaming the dunes with his brother, de Groot collected and drew fish, birds and many other coastal animals.  At the age of twelve de Groot began copying the illustrations of artists such as Lars Jonsson, Rien Poortvliet, Pieter Dik and Thomas Quinn.  In 1991 de Groot entered the Art Academy Minerva to study illustration.  At the academy de Groot was exposed to drawing, etching, woodblock printmaking and, most significantly, painting.  Upon receiving his degree, de Groot began working as an illustrator for numerous wildlife books and magazines, especially those aimed at young readers.  In 1999, having had enough of illustration, de Groot began focusing on his own work, specializing in paintings of sea birds and large coastal landscapes. De Groot’s paintings have been featured in numerous solo and group exhibitions in the Netherlands and England.  His paintings have also been selected for the Woodson Art Museum’s Birds in Art exhibition  since 2002, as well as the Western Visions Miniature Show at the National Museum of Wildlife Art in Jackson, Wyoming 2006 to present.  De Groot’s paintings are in the collections of the Dutch Ministry for Water Management, the Hague, Netherlands; the International Council for the Exploration of the Sea, Copenhagen, Denmark; the head office of Unilever, Rotterdam, Netherlands; and the Woodson Art Museum, Wausau, Wisconsin.</image:title>
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  <url>
    <loc>https://www.brogallery.com/whats-new</loc>
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    <lastmod>2024-08-06</lastmod>
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      <image:title>What's New - STORYTELLING Billy Schenck has been painting in his reductivist paint-by-numbers style since the 1960's.  The first formal art show Schenck saw as an 18-year-old was Warhol’s Campbell Soup collection. Subsequently working for Warhol the following year Schenck notes Warhol’s pop art style as an early influence on his work. In Schenck’s artistic version of a mythic “New West” he satirizes the surrounding universal truth and lies.  We are pleased to show a new body of Schenck's work side by side with a selection of pop art images from Andy Warhol's Cowboys and Indians portfolio (1986).  Exploring the west through myths and nostalgia the images were Warhol’s last major project before he passed away in 1987.</image:title>
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      <image:title>What's New - An Evening with David Yarrow HOW I MAKE PHOTOGRAPHS Please join us for an evening with David Yarrow. David  planned a short stop to visit us in Ketchum and give a presentation about his photographic journeys and the very interesting backstories behind his photographs. David will be at Broschofsky Galleries, Wednesday, July 19th, 5:30 - 7PM. It will be an unforgettable evening and we hope to see you then.</image:title>
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      <image:title>What's New - It’s a New Frontier Rudi Broschofsky’s Contemporary Holograms of the Old West How do you make traditional Western art subjects edgy? Something representative yet abstract and conceptual? Ask Rudi Broschofsky, an emerging artist whose work conveys the majesty of the Wild West with neon spray paint. It speaks to both the cowboy and the urban hipster. Son of the founders of Ketchum’s Broschofsky Galleries, Rudi is an integral role in the operations and development of the gallery as a partner and full-time employee while additionally managing to break out as an artist in his own right. Rudi is a fresh voice in the Valley and far beyond that, is gripped by the imagery and symbolism of the Old West, which he translates into a modern visual language of street art. He re-imagines the nostalgic iconography he has been raised on in a punch and innovative way. (Read More)</image:title>
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      <image:title>What's New - An Evening with David Yarrow HOW I MAKE PHOTOGRAPHS Please join us for an evening with David Yarrow. David  planned a short stop to visit us in Ketchum and give a presentation about his photographic journeys and the very interesting backstories behind his photographs. David will be at Broschofsky Galleries, Saturday, July 23, 5-8, with a slideshow presentation at 7:00. It will be an unforgettable evening and we hope to see you then.</image:title>
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      <image:title>What's New - Western Pop, Andy Warhol &amp; Billy Schenck The dual exhibition Andy Warhol: Cowboys and Indians and Billy Schenck: Myth of the West joins the modern and contemporary American West through a shared vision born of nostalgia, romance and high style. It is comprised of fourteen original screen prints by Andy Warhol and twenty-nine paintings and serigraphs by Billy Schenck. The show’s iconic Pop art style and bold color provide a refreshing take on a region often associated with more staid and traditional representation. By introducing new audiences to the modern West through Warhol’s star power and name recognition, the Briscoe aims to expand visitors’ appetites for newer work and fresh eyes on a beloved American subject. The work of Billy Schenck is similarly accessible and engaging. A contemporary of Warhol’s, Schenck has dedicated his career to depicting Western subject matter, inviting his audiences to go further than even Warhol and to question comfortable assumptions many of us entertain about the region.</image:title>
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      <image:title>What's New - The Wild West Through the lens of David Yarrow Broschofsky Galleries in Ketchum is known for its western artists and collections from the likes of Gordon McConnell, Edward Curtis, Russell Young, and the late Russell Chatham among several other notable artists. These collectible works of fine art harken back to days gone by, a preservation of history, and sentiments of the West. However, recently, the gallery has brought the photography of internationally known fine art photographer David Yarrow into its space, broadening its reach into popular culture and 21st century fine art collectibles.   “I discovered David Yarrow and was taken by his photography,” says Rudi Broschofsky of Broschofsky Galleries. “Due to international restrictions and lockdowns, David Yarrow spent much of his time in the U.S. this past year.  Inspired by the vast western landscape, Yarrow captured much of his wild west series during this time.” (Read More)</image:title>
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      <image:title>What's New - UNDER THE INFLUENCE Abstract Expressionism’s Leading Women, Pat Steir and Joan Mitchell, Inspired by Modern Art Masters Hokusai and van Gogh. Contemporary artists Pat Steir and Joan Mitchell share the noble status of leading women in the modern art world through their early connection to the intrinsic styles of Japanese artist Katsushika Hokusai, known as Hokusai, and renowned abstract expressionist Vincent Van Gogh. As their life’s work unfolded throughout the decades, Steir and Mitchell harnessed a style, which is still reminiscent of their modern art master predecessors. (Read More).</image:title>
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      <image:title>What's New - Rudi Broschofsky featured in BigLife Magazine • I’m a Skater, Not a Cowboy - Western Art’s Newest Jam Not many people can say they’ve lived in a teepee, rocked a green mohawk while wearing a medical halo for their broken neck, boxed someone 100lbs above their weight class, competed in national snowboard competitions, and owned an Andy Warhol original since they were 22. My guess? There’s only one: Ketchum artist Rudi Broschofsky (Read More).</image:title>
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      <image:title>What's New - Traeger Grills teams up with artist Rudi Broschofsky to help support the Wolakota Read more about the project here</image:title>
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      <image:title>What's New - Remembering Russell Chatham 1939-2019 • San Francisco Chronicle: Famous Landscape Painter Dies at Age 80 • Field and Stream: A Landscape Painter with a Hunter’s Eye • Narrative Magazine: the Painter, Recently Hospitalized, Emerges from Seven-Figure     Debt and Alcoholism, Ready to Paint</image:title>
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      <image:title>What's New - Warhol and the West Warhol and the West is the first museum exhibition to fully explore Andy Warhol’s love of the West represented in his art, movies, attire, travel and collecting. Developed in a partnership with The Booth Western Art Museum in Cartersville, Ga. and the Tacoma Art Museum, Warhol and the West presents the full range of Western imagery Warhol produced. New scholarship examines how Warhol’s Western work merges the artist’s portrayal of celebrities with his interest in cowboys, American Indians and other western motifs. His work in the Western genre is immediately recognizable, impressive, daring, inspirational and sometimes confrontational. This body of work furthers our understanding of how the American West infiltrates the public’s imagination through contemporary art and popular culture.</image:title>
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      <image:title>What's New - Russell Young Takes Over London Along the length of Brompton Road, where the renowned department store Harrods has stood since 1849, the windows are lined with the diamond-dusted glam of artist Russell Young’s exclusive series ICONS. This is the first time Harrods has ever exhibited the work of an artist not only within its new gallery space inside the store but also along the entire length of its famous storefront windows. Read More</image:title>
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      <image:title>What's New - When the West was Won: Recent Paintings by Gordon McConnell For nearly thirty years, Billings-based artist Gordon McConnell has created works derived from Western film stills and informed by his sustained study of the history of the American West and its representations in literature, art, film, and photography. When the West Was Won: Recent Paintings by Gordon McConnell is a new exhibition at the Northcutt Steele Gallery, on the campus of Montana State University Billings Yellowstone Public Radio: Gordon McConnell</image:title>
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    <lastmod>2020-06-24</lastmod>
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      <image:title>About Chatham - Russell Chatham Russell Chatham’s perfectionist nature is evidenced in his landscape paintings. Sometimes taking as long as a year to complete, Chatham does not consider a painting “finished” until he determines it is so. Working from memory his landscape paintings contain an inimitable poetic quality.Chatham often begins a painting with words- descriptions of the light, the weather, the atmosphere- recording more of a sense of place. He carries this as a memory and experience back to studio which he proceeds to suggest and convey through paint. He is also regarded as one of the foremost lithographers in the world with his lithographs taking up to 50 separate plates. Chatham’s early upbringing in what were then the wild hills and country around the family ranch in Carmel and later in Marin County, California had a direct influence on Chatham’s future. The grandson of renown painter, Gottardo Piazzoni, Chatham was seldom without paints, easel and fishing rod. With the love of outdoors, Chatham was drawn to the mountains surrounding Livingston, Montana where he spent several decades. In addition to his painting, Russell owned and operated his own printing company, Clark City Press, wanting to have the control of designing, manufacturing and doing a first rate job not only for his own books, but also new and promising authors. A self- taught writer, as well, Chatham’s articles stories and essays have appeared in Esquire, The Atlantic, Sports illustrated, Outside and dozens of other publications. His books include The Angler’s Coast, Silent Seasons, Dark Waters, Striped Bass on the Fly The Missouri Headwaters and One Hundred Paintings. During that time, Chatham showed his culinary expertise by opening a restaurant because he wanted to have fine dining available in desolate Livingston, MT. To say that Chatham is an avid sportsman is an understatement. He has been around the world 20 times, held an impressive fly fishing record for 20 years, hunted deer in the New Zealand Alps, eaten puffin in Iceland and reindeer in the Russian arctic and camped among the last of indigenous tribes in Tierra del Fuego. Chatham has been profiled in Esquire, Southwest Art, People, U.S. Art, Antiques and Fine Art, Architectural Digest, The Denver Post, The San Francisco Chronicle, The San Francisco Examiner, The Los Angeles Times, The Washington Post, The Chicago Tribune, The Seattle Times, The Associated Press, National Public Radio’s Morning Edition, and Fresh Air, PBS, and CBS Sunday Morning. While Russell’s major accomplishments, adventures and stories are almost endless, his landscape paintings are what he is known for and it’s no surprise. Since he began formally showing his work in 1958, Chatham has had a multitude of one man shows at museums, art centers and galleries. It is understandable that the extensive list of personal collectors are notable names revered in American culture for their own creative contributions, including authors, media correspondents and entertainment personalities.</image:title>
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    <lastmod>2020-04-28</lastmod>
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      <image:title>About Curtis - Edward S. Curtis (1868-1952) Born in 1868 near Whitewater, Wisconsin, Edward Sheriff Curtis became one of America’s finest photographers and ethnologists. Beginning in 1896 and ending in 1930, Curtis photographed and documented every major Native American tribe west of the Mississippi, taking over 40,000 negatives of eighty tribes. For thirty years, he devoted his life to an odyssey of photographing and documenting the lives and traditions of the Native people of North America. His photographs had an immense impact on the national imagination and continue to shape the way we see Native life and culture. Edward’s father, Reverend Johnson Curtis, had returned from the Civil War penniless and debilitated, and young Curtis and his three siblings grew up in poverty. The family moved to Cordova, Minnesota soon after his birth, where his father continued his vocation as an itinerant preacher. Edward Curtis grew up near the Chippewa, Menomini, and Winnebago tribes, although most traditional Indian life there had disappeared by the time his family arrived in the 1870s. His formal education ended with the sixth grade. Curtis often accompanied his father on long treks, often by canoe, to visit his far-flung congregation, and these journeys may have been the inception of his love of the outdoors. His interest in photography started in his teens when he built his own crude cameras and taught himself photography from self-help guides. At the age of seventeen he became an apprentice to a photographer in St. Paul. His father’s failing health required the family to move to a more temperate climate, and they chose the booming Pacific Northwest. They moved to Port Orchard, Washington in 1887, but Curtis’ father died shortly thereafter and Edward became responsible for the family’s income. For some years theirs was a life of bare subsistence, gathering seafood and picking fruit and vegetables, but by 1890 the family was able to buy a small homestead. Edward’s gift for photography led him to an investigation of the Indians living on the Seattle waterfront. In 1891 he purchased a share in a photographic studio, which became known as Rothi and Curtis, but it lasted for less than a year. He then formed a partnership with Thomas Guptill as both photographers and photogravers. In 1893 Curtis married Clara Phillips, and she brought three of her family members to live with Curtis’ family. Over the years, Edward and Clara were to have four children. Around this time art became the aspiration of many photographers. Influences from painting, drawing, and printmaking found their way into photographs. Photographers began drawing and painting on negatives as well, and often employed printing processes such as platinotype, gum print, and photogravure to produce soft and atmospheric appearance akin to that achieved by the French Impressionistic painters. The movement known as Pictorialism promoted personal vision and expression in photography. In 1895 Curtis began his Indian photography, and ‘Princess Angeline’, daughter of Chief Seattle, was one of his first subjects. The work won him a high award in a photographic contest. His reputation as a photographer was growing. He invented gold and silver processes, which later became known as ‘goldtones’ and ‘silver tints’. Having become well known for his work with the Indians, Curtis participated in the famous 1899 Harriman expedition to Alaska as one of two official photographers. This was the last great 19th century survey to ascertain the economic potential of America’s frontier. Curtis’ relationship with Harriman and other members of the group had a great influence on the rest of his life. After a trip of 9,000 miles, the party returned with 5,000 pictures and over 600 animal and plant species new to science. New glaciers were mapped and photographed and a new fjord was discovered. Curtis photographed many of the glaciers, but it was his Indian pictures from this trip that established his artistic reputation. In 1898 while photographing on Mt. Rainier, Curtis encountered a group of prominent scientists who were lost, among them George Bird Grinnell, a noted Indian expert who became interested in Curtis’ work and invited him to photograph the Blackfeet Indian people in Montana two years later. It was there that Curtis practiced and developed his photographic skills and project methodology that would guide his lifetime of work among the other Indian tribes. Grinnell was instrumental in instructing Curtis on systematic methods required for gathering scientifically valid information. Curtis’ trip to northern Montana in the summer of 1900 with George Bird Grinnell, who became his early friend and mentor, was his first known formal photographing venture and likely the most profound experience of his life. During the expedition Curtis had the opportunity to photograph one of the last great enactments of the deeply sacred Sun Dance of the Piegan and Blackfoot tribes. The Sun Dance is primarily a supplication and sacrifice for supernatural aid and spiritual power, but also an affirmation of community and of personal vows, with entire tribes, thousands of individual lodges, coming to feast, give presents to the poor and form alliances with hostile tribes. He was later to describe the ritual as “wild, terrifying, and elaborately mystifying.” “The great Sun Dance circle is sometimes a mile in diameter.” Later, travelling on horseback with their pack horses trailing behind, the expedition emerged from the mountains to view the valley floor massed with over a thousand teepees – an awesome sight to Curtis and one that transformed his life. Returning home, Curtis sold his engraving business and took over the studio of Frank La Roche, another famous photographer of Alaska and the Indians. 1901 marked the formal beginning of Curtis’ then self and family financed project to study all of the North American Indian tribes. A project as massive as his is almost incomprehensible in this day and age. In addition to the constant struggle for financing, Curtis required the cooperation of the weather, vehicles, mechanical equipment, skilled technicians, scholars and researchers and the Indian tribes as well. He dispatched assistants, led by W.E. Myers, to make tribal visits months in advance. With the proper arrangements Curtis would travel by horseback or horse drawn wagon over paths or primitive “roads” to visit the tribes in their home territory. Once on site Curtis and his assistants would start work by interviewing the people and then photographing them outside, in a structure, or inside his studio tent with an adjustable skylight. Employing these and other techniques over his lifetime he captured some of the most beautiful images of the Indian people ever recorded. He originally thought the project would take 5 years, but it took 30. The “New York Herald” hailed his study as ‘the most gigantic undertaking since the making of the King James edition of the Bible’. For its completion, it required one and a half million dollars and the assistance of a vast array of patrons, researchers, scientists, editors, master craftsmen, interpreters, tribal elders, and medicine men. Ultimately the study cost Curtis his family, his financial security and his health. Nevertheless, he pursued his vision with a sense of mission to catalogue how the Indians had lived prior to their contact with the white man. “The passing of every old man or woman means the passing of some tradition, some knowledge of sacred rites possessed by no other’, believed Curtis, “…the information must be collected at once or the opportunity will be lost for all time”. His vision was prophetic, as by 1930, the year his first volume was published, few visible vestiges remained of the peoples who had once been the continent’s sole inhabitants. Edward S. Curtis devoted the next three decades to photographing and documenting over eighty tribes west of the Mississippi, from the Mexican border to northern Alaska. The “Shadow Catcher” as he was later called by some of the tribes, took over 40,000 images and recorded rare ethnographic information from over eighty American Indian tribal groups, ranging from the Eskimo or Inuit people of the far north to the Hopi people of the Southwest. He captured the likeness of many important and well-known Indian people of that time, including Geronimo, Chief Joseph, Red Cloud, Medicine Crow and others. His project won support from such prominent and powerful figures as President Theodore Roosevelt and J. Pierpont Morgan. In 1906, at President Theodore Roosevelt’s inaugural parade, Curtis was asked by Roosevelt to photograph Geronimo and five other Native American chiefs on the lawn of the White House. Roosevelt was to become one of Curtis’ most ardent supporters, and the foreword to “The North American Indian” was written by Roosevelt. Upon its completion in 1930, the work consisted of 20 volumes, each containing 75 hand–pressed photogravures and 300 pages of text. A corresponding portfolio containing at least 36 photogravures accompanied each volume. One of Curtis’ major goals was to record as much of the people’s way of traditional life as possible. Not content to deal only with the present population, and their arts and industries, he recognized that the present was a result of the past, and the past dimension must be included, as well. Guided by this concept, Curtis made 10,000 wax cylinder recordings of Indian language and music. Many of these recordings still survive at the University of Indiana archives, and may be the only extant record of certain lost languages, music, and family histories. In addition he took over 40,000 images from over 80 tribes, recorded tribal mythologies and history, and described tribal population, traditional foods, dwellings, clothing, games, ceremonies, burial customs, biographical sketches and other primary source information: all from a living as well as past tradition. Extending the same principle to the photographs, he presented his subjects in a traditional way whenever possible and even supplied a bit of the proper clothing when his subjects had none. Reenactments of battles, moving camp, ceremonies and other past activities were also photographed. In 1919 Curtis’ wife, Clara, filed for divorce. The original filing was years earlier, but Curtis was always in the field and could not be made to come to court. Clara continued to manage the photography studio with her sister. At that time Curtis destroyed all of his glass negatives. In 1920 he moved from Seattle to Los Angeles with his daughter Beth, and began his involvement with the film industry by assisting Cecil B. Demille. With the publication of volume twenty in 1930, the years of struggle finally took their toll with Curtis suffering a physical and nervous break down. The declining interest in the American Indian, the Great depression, and other negative forces slowed, then halted the successful financial completion of the project. Less than 300 sets of “The North American Indian” were sold. Curtis spent the remaining years of his life with his daughter Beth and her husband in Los Angeles. On October 21, 1952 at the age of 84, E. S. Curtis, virtually unknown, died of a heart attack in Los Angeles. Curtis’ work is not without its critics, and some dismiss him as a romantic. He went to great lengths to reconstruct the past, with the intent of capturing the essence of Native Americans and their traditional culture, though not necessarily their circumstances in 1900. Perhaps his most important legacy is his expression of an extraordinary sympathy with the personal sand spiritual lives of the American Indian. In this respect Edward S. Curtis stands alone among the photographers of Native American. His methods may have been controversial, but what a legacy he recorded for us. Credit for parts of the above information is given to Christopher Cardozo ‘Sacred Legacy, Edward S. Curtis and the North American Indian’; George Horse Capture ‘Shadow Catcher’; Paula R. Fleming and J.L. Luskey “Grand Endeavors of American Indian Photography’; Tom Beck ” The Art of Edward Curtis’</image:title>
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      <image:title>About Matthews - William Matthews William Matthews was born in 1949 in New York City. He grew up in the Bay Area. His professional career began in Los Angeles, designing album covers for Warner Bros. and Capitol Records. He lived in Europe from 1975 to 1980. Upon his return to Colorado, he ran a graphic design studio until 1990 when he dedicated himself full time to painting. He is most well known for his portrayal of the working cowboys from the great ranches of the American west. The 1994 published monograph, Cowboys &amp; Images: The Watercolors of William Matthews, chronicles a decade of the artist’s work devoted to this subject. In the fall of 2007, Chronicle Books of San Francisco released a second monograph dedicated to the subject matter entitled, William Matthews: Working the West. Other areas of study are included in the Exhibition Catalogs; Gamble Ranch Granary, (2012), Hats &amp; Headwear, (2008), Yellowstone, (2007); Italy, (2006); Canyon de Chelly, (2005), Scotland; The Highlands &amp; Islands, (2003); A Wet Line: Fly Fishing on the Rivers of North America, (2002); Land of the Rajput, (2001); Buckaroos of the Great Basin, (2000); Fast Horses, (1999), Ireland, (1997); Heart Land: Watercolors of the Amish and Mennonite and Shaker Villages, (1996); China, (1995); The Blue Nile, (1993); and Sketches of Spain, (1992) Commissioned projects have included cover artwork and story illustrations for the book Close Range, by Pulitzer Prize winning author Annie Proulx, a series of six large scale watercolors, Colorado Pioneers, installed at the Colorado Convention Center, and the 1994 United States Postal Service commemorative Postal Card Canyon de Chelly, from the series, America the Beautiful. William Matthews’ artwork is widely exhibited. His watercolors are part of numerous private and public collections including; Joslyn Museum, Omaha, Gilcrease Museum, Tulsa, Warner Western Records, Nashville, Autry National Center, Museum of the American West, Los Angeles, Booth Western Art Museum, Cartersville, Georgia, Buffalo Bill Historical Center and Museum, Cody, National Cowboy Hall of Fame, Oklahoma City, Old West Museum, Cheyenne, Eiteljorg Museum, Indianapolis, Phoenix Art Museum, Tucson Museum of Art, and the Denver Art Museum.</image:title>
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      <image:title>About Grotenbreg - Jan Grotenbreg Jan Grotenbreg was born in the historical Dutch town of Alkmaar, famous for its legendary cheese market, in the northern part of Holland. He studied painting at the School of the Arts in the University city of Tilburg in the southern part of the country. Since 1967 he works and lives in Amsterdam in a studio on the top floor in an extraordinary building, that has been created in the 1930′s especially for artists. From here, he has an incredible view of the sky with clouds that inspired him: “The constant change, elusiveness and evidence along with the fantastic gray colours form an interesting aspect, each cloud formation has one brilliant moment and when I see an interesting cloud I panic, I got to start working. This is the price I have to pay for this relationship”, according to Grotenbreg in an interview. In 1970, Grotenbreg decided to paint a monochrome blue painting. With the limited space of the painting itself he intended to express ‘total space’. Seen from this perspective he started to paint the cloudy skies without the horizon. One can see these series as a continuation of the ancient Dutch landscape painting tradition. Grotenbreg’s clouds are seen as ‘powerful evocations of the experience of lying on your back chewing on a blade of grass and staring at the endless, continuously changing, the slow, theatrical cloud game (Dutch critic Ferd Op de Coul). His paintings became part of modern art historical movements such as Fundamental panting (the identity of the medium; the surface, the paint and texture are more important than an image) en Hyperrealism (in which an image is even sharper depicted compared to a photograph). Grotenbreg also uses photography as means. In 1996 Grotenbreg painted an indigo blue surface, the sky. A silver colored moon appeared in the moon light, in a secret, occult atmosphere. Then he made a whole series of ‘Moon Landscapes’ and ‘Moons and Moon Light’, which appeared during a trip through French villages when the street lights went out at night. At a certain moment a dog appeared in the painting, as a watch dog in between earth and sky. The separation in between earth and heavenly body then became his theme: ‘Some people regard these paintings as a silent protest against the world, but my goal is rather to find my own way in the chaotic times we live in’, he says. In 2000, Grotenbreg added a new (earthly) dimension, when he began to experiment with cement on canvas, using it as a rough surface for an image. In this way he made the painting ‘Half Moon’ with a frame of cement. The result has been often compared to middle age mural painting, the so called fresco, painted in wet lime. This technique used to be in Europe a widespread decorative art form, of which the weathered parts are left. Grotenbreg is not so much interested in these decorations, but rather in the weather-beaten quality of it. This is the starting point of an impressive series of animal studies in nature. Many animals such as the horse, cow and taurus and lesser known animals, such as a protected wild vulture bird species, the Egyptian river Nile bird Ibis and the threatened sparrow are depicted by Grotenbreg in a layer of grey cement with acryl paint in black and brown colours on canvas. He paints the animals he feels a certain connection to, especially the Ibis – the Ibis as God, the holy bird in ancient Egypt; he also made several journeys to Egypt. Grotenbreg about this technique: “The surface layer with cement is unique, the technique is not used. Cement is for building and does not stick on canvas. After five years of experimenting, I have found the right combination to stick cement with acryl binder. One can only learn this by experience.” He made several books of these works: Plougrescant; Haka, de Kauw; De Ibis; De maan; Werken op cement.</image:title>
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      <image:title>About Warhol - Andy Warhol More than any other artist of his era, Andy Warhol served as a cultural anthropologist, recording the fascinating and ever-changing American culture that existed in the second half of the 20th century.Born Andrew Warhola to immigrant parents near Pittsburgh in 1928, Andy showed artistic talent at a young age. As a sickly child, he was often bedridden and would draw and color for hours on end. Following high school graduation, Warhol attended the Carnegie Institute of Technology and later moved to New York City to pursue his artistic career. Although Warhol often tried to hide his simple origins it is perhaps the early years of his life, devoid of glamour and full of illness, that spurred his obsession with beauty and magnificence. Warhol began making in screenprints in the late 1960s, a medium that would eventually become his primarily vehicle for artistic expression. More than any other medium available at the time, screenprinting was the perfect technique for capturing the essence of Warhol’s work. The ability of a screenprint to be identically reproduced became an essential part of the way Warhol’s art reflected life at that time. The post-war abundance that middle class America experienced in the 50s and 60s created a level of consumption and also homogenization that had never been seen before. Even Warhol’s studio, which he called “The Factory,” paid homage to the mechanization of other products of the day. By using a series of assistants, Warhol likened the production of his art to the production of standard household goods. Against all odds, Andy became as famous as the icons that he depicted in his artwork. His careful and unintentional documentation allows us the opportunity to reflect on one of the most pivotal times in American history. Through his images we see what we were, what we wanted and who we are in the present. Today, more than ever, we understand the importance of what he had to say.</image:title>
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    <lastmod>2020-05-04</lastmod>
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      <image:title>About Howard - Tom Howard Tom Howard (1957), of Kearns, Utah, is a painter in oils and watercolor. Born in Las Vegas, Nevada, and raised in northern Utah, Tom earned a BFA at the University of Utah in 1984 and an MFA at Brigham Young University in 1995. He is known for his landscape images of the American West. EDUCATIONAL BACKGROUND Master of Fine Arts, Brigham Young University, April 1995. Area of emphasis was painting and drawing, with the focus and direction of my work being landscape painting in both the oil and watercolor mediums. Bachelor of Fine Arts, University of Utah, 1984. Area of emphasis was painting and drawing, including landscape painting. Classes in Renaissance and Northern Baroque art were also taken. Other subjects studied included the following: photography, printmaking, sociology, and psychology. Salt Lake Community College, 1979 through 1981 Completed commercial art program with an emphasis in graphic design. Other subjects studied were illustration, photography, art history and English writing. TEACHING EXPERIENCE Salt Lake Community College, Salt Lake City, 2005 – present Adjunct Instructor Ð Duties include teaching watercolor and drawing courses in the Visual Arts Department; Perspective and Rendering, Architectural Rendering in the Interior Design Department Visual Arts Institute, Salt Lake City, 1999 – 2000 Duties included teaching various art classes to children. Representative courses taught include oil painting, watercolor painting, drawing, architecture. Instructor, Granite School District Community Education Program, 1998 Duties included teaching adult students the principles of the art of oil and watercolor painting. Helped students develop skills and techniques in the use of the medium from the beginning level through advanced levels. Adjunct Faculty, Brigham Young University, Visual Arts Department, Spring 1995 Duties included writing course outlines and lesson plans, working one on one with students, giving assignments, and grading. Taught introduction and intermediate level watercolor painting. Graduate Assistant, Brigham Young University, Visual Arts Department, Spring 1993 through Winter 1995 Duties included writing course outlines and lesson plans, working one on one with students, giving assignments, and grading. Taught introduction/intermediate level watercolor painting and introduction/intermediate level drawing. Instructor, Granite School District Community Education Program, 1990-92 Duties included teaching adult students the principles of the art of watercolor painting. Helped students develop skills and techniques in the use of the medium from the beginning level through advanced levels. One on one instruction was primarily used. COLLECTIONS Rowland Hall St. MarkÕs Private School, Salt Lake City, UT Antelope Island VisitorÕs Center, Davis County, UT Adam and Stacy Coyle, Denver, CO Ed Davies, Ogden, UT Peter and Deann Strub, Phoenix, AZ Bonnie Phillips, Salt Lake City, UT Mesa Contemporary Art Museum permanent collection, Mesa, AZ Nu Skin Enterprises, Provo, UT Brent and Bev Robinson, Ketchum, ID Salt Lake Community College, Taylorsville, UT Stein Eriksen Lodge, Park City, UT JUROR Served as juror for Ogden City Plein Air Competition, October, 2006 EXHIBITIONS Juried Wasatch Plein Air Paradise, June 2007, Award of Merit Springville Museum of Art “National Spring Salon”, Spring 2007. Salt Lake Community College PresidentÕs Art Show, Salt Lake City, Utah, February, 2007, PresidentÕs Choice Award and Purchase Award Deseret News Annual Landscape Art Show, Salt Lake City, Utah, September, 2002 Holter Museum of Art, Helena, Montana, August, 2002, ANA 31 Exhibition Honorable Mention Utah Art 2002, Salt Lake City, Utah, February, 2002 (A critically juried exhibition of contemporary Utah art) Deseret News Annual Landscape Art Show, Salt Lake City, Utah, September, 2001. Merit Award Recipient Desert News Annual Landscape Art Show, September 2000. Springville Museum of Art “National Spring Salon”, Spring 2000. Springville Museum of Art “National Spring Salon”, Spring 1998. Provo Freedom Festival Art Show, July 1997. First Annual Old Capitol Centenial Fine Arts Show, Delta, Utah, July 1996. Third Place Award Springville Museum of Art “National Spring Salon”, Spring 1996. Bountiful Davis Art Center, Utah Centenial: Utah as Seen by Its Artists, February 1996. First Place Centennial Award The Alliance for the Varied Arts “Celebrate the Arts” annual regional fine arts exhibition, Spring 1994. Merit Award Recipient Eccles Community Art Center 19th Annual State wide Competition, Ogden, Utah, Summer 1993. Springville Museum of Art “National Spring Salon”, Spring 1991. Eccles Community Art Center Black and White competition, Ogden, Utah, Summer 1990. Springville Museum of Art “National Spring Salon”, Spring 1989. “Mountain West Paper Works Biennial” art competition held at the Nora Eccles Harrison Museum of Art at Utah State University, Summer 1988. Invitational Marshall Arts Gallery, Scottsdale, Arizona, Two Person Show, December, 2006 Phillips Gallery, Salt Lake City, Utah, Two Person Show, February 2006 Holter Museum of Art, Helena, Montana, One Person Show, June 2005 2002 Revisited, Salt Lake City, Utah (a reunion of the Utah artists chosen to represent the state of Utah during the winter Olympics in Salt Lake City), May-June 2005 Phillips Gallery, Salt Lake City, Utah, Group Landscape Show, April 2005 Marshall Gallery, Scottsdale, Arizona, One Person Show, October 2004 Gallery 303, Brigham Young University, Provo, Utah, One Person Show, May 2004 Golden Rule Project, Phillips Gallery, Salt Lake City, Utah, Community Service Project in cooperation with public and private secondary schools, Spring/Summer 2004 Marshall Arts Gallery, Scottsdale, Arizona, One Person Show, November 2003 Marshall Arts Gallery, Scottsdale, Arizona, Group Show, April 2003 Phillips Gallery, Salt Lake City, Utah, One Person Show, March 2003 Willard Arts Center, Idaho Falls, Idaho, Two Person Show, November 2002 Marshall Arts Gallery, Scottsdale, Arizona, One Person Show, September 2001 Distinguished Alumni Art Invitational, Portraiture Exhibit, September 2001, University of Utah, Salt Lake City, Utah Phillips Gallery, Two Person Show, February 2001 – March 2001. Marshall Arts Gallery, Scottsdale, Arizona, Two Person Show, February 2001 Phillips Gallery, Annual Holiday Show, Group Show, November 2000 – January 2001 Riverton Library, Riverton, Utah, One Person Show, September 2000 Marshall Arts Gallery, Scottsdale, Arizona, One Person Show, February 2000 Herrett Center/Jean B. King Gallery, College of Southern Idaho, Group Show, December 7, 1999 – January 22, 2000 Phillips Gallery, Landscapes, Group Show, October 1998 Bountiful Davis Art Center, Bountiful, Utah, A Recent Works, Group Show, May 1998 Atrium Gallery, Salt Lake City, Utah, One Person Show, March 3, 1997 – April 12, 1997. Springville Museum of Art, Springville, Utah, One Person Show, January 1997. The Gallery Etc., Group Miniature Art Show, Ogden, Utah, September 1995</image:title>
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      <image:title>About Edwards - Glen Edwards (1936 - 2019) Glen Edwards ability to paint “real” people shows up in his award winning watercolor and oil paintings. His paintings have been exhibited in many one-man and juried international, national, regional, state and local exhibits and are collected by people throughout the world. A few of his awards and honors include: US Art Magazine Bronze Medal Award of Excellence, Arts for the Parks National Traveling Exhibit, Oil Painters of America National and Regional Exhibits, Intermountain Society of Artists 3rd Annual Exhibit Best of Show, Eccles Statewide Exhibit Purchase Award, Dixie College Invitational 1st Place Watercolor Award, Festival of the American West Best of Show and Purchase Awards. Glen has also been a featured artist in Southwest Art Magazine. His paintings and illustrations have been featured on covers and articles on numerous books, magazines and publications in Los Angeles, New York City and throughout the intermountain west. Glen currently resides in Smithfield, Utah with his wife Barbara and son Charlie. 1962- BS Utah State University, Logan Utah 1965-67 Art Center College of Design, Los Angeles, CA 1976- MFA Utah State University, Logan, UT Professor of Art, Utah State University and Fine Art Painter Galleries: Broschofsky Galleries, Ketchum, Idaho Mountain Trails Gallery, Jackson, Wyoming, Park City, UT, Santa Fe, New Mexico Nannette Richardson Fine Art, San Antonio, TX Southam Gallery, Salt Lake City, UT</image:title>
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      <image:title>About Catlin - George Catlin Born in Wilkes Barre, Pennsylvania, George Catlin became the first American artist of stature to visit and depict the Plains Indians on his own volition, and he spent about eight years traveling among the 48 North American Indian tribes. His sketches and paintings are the first and most important record of land west of the Mississippi River before white settlement. Historian Robert Taft wrote that …”it can be said that Catlin was the great publicist” of the upper Missouri region as a result of his trip in 1832. …”I find Catlin’s name the most frequently mentioned in biographical accounts of later artists of the West or for that matter one of the most frequently referred to authorities on the early history of the upper Missouri country.” (38) Catlin’s childhood was in New York and Pennsylvania, and he heard much about Indians as a youngster because his mother at the age of eight had been captured by them. The family also had numerous visitors who had traveled the frontier and whose stories intrigued him. He was educated at home and became a collector of Indian relics. In 1817, he began the study of law at Litchfield, Connecticut and taught himself to paint portraits, mainly prominent politicians. Until 1823, he practiced as a lawyer in Luzerne County, Pennsylvania. But finding art more interesting, he moved to Philadelphia where he was encouraged by his artist friends Rembrandt Peale, Thomas Sully and John Neagle. He studied at the Pennsylvania Academy of Fine Art and then went to New York to the National Academy of Design, where in 1824, he was also elected a Member. In Philadelphia in 1824, he had seen a delegation of Plains Indians, described as “lords of the forest,” which aroused his determination to become a pictorial historian of Indians. In the six years before he headed West, he painted portraits of Indians on reservations in western New York. By 1830, he was in St. Louis, which was the western gateway to the West, and he was aided by General William Clark, Superintendent of Indian Affairs and former leader with Meriweather Lewis of the Lewis and Clark Expedition. He traveled with Clark for two years when he negotiated Indian treaties, and painted Iowa, Missouri, Otoe, Omaha, Sauk and Fox and eastern Sioux Indians. Catlin traveled the plains region during the summers until 1836 and returned East in the winters to get more money for his ventures. In 1832, he was aboard the American Fur Company’s new steamer “Yellowstone,” the first steamboat that traveled to Fort Union at the mouth of the Yellowstone River. This voyage gave Catlin a chance to paint Indians 2000 miles up the Missouri. He worked with thin paint and had great skill at drawing with a brush, which allowed him to complete about six sketches a day. At Fort Union, the final destination, Catlin was given an upper room to use as a studio. There he did the earliest portraits of the Blackfoot and Crow Indians, but he is better known for his portraits of the Mandans whose manners he much admired. These works had particular value when that tribe was nearly exterminated in 1837 by a small pox epidemic. From his upper Missouri travels of 80 days, he completed nearly 200 paintings. In Europe, he had an extensive tour and exhibition of his work, called “Catlin’s Indian Gallery,” more than 600 paintings of portraits and sketches of Indian life. This “Gallery” was well received, but in America, interest in his work lagged until after his death. The collection was offered unsuccessfully to Congress to purchase, and eventually was donated to the National Museum. After 1852, he made over 600 paintings that were copies of his “Indian Gallery” works, and he also added new subject matter from South American Indians. He died in 1872 in Jersey City, New Jersey.</image:title>
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      <image:title>About Bisttram - Emil Bisttram (1895 - 1976) Emil Bisttram was born in Hungary, near the Romanian border, in 1895. When he was 11 years old, his family immigrated to New York City. Emil grew up in the tenement buildings that had become the destination for so many Eastern European immigrant families. He was a talented artist, and after a few years began his schooling at the National Academy of Art and Design, then Cooper Union, Parsons, and The Art Student’s League. Most of his studies were completed through night courses, as he was working as a commercial artist to support himself. His eagerness to study would translate to a love of and great skill for teaching. He began teaching soon after completing school, first at the New York School of Fine and Applied Arts, and then at the Master Institute of the Roerich Museum.Bisttram first visited Taos during the summer of 1930. He went initially to escape the hardship of life in New York following the stock market crash. His first visit, however, was nearly his last. While enthralled by the beauty of New Mexico, Bisttram was endlessly frustrated by his first attempts at painting there:“Whenever I tried to paint what was before me I was frustrated by the grandeur of the scenery and the limitless space. Above all a strange, almost mystic quality of light.”Perhaps frustrated by what may be perceived as his own limitations as an artist, Bisttram returned to New York. If indeed he was frustrated at that time, it couldn’t have lasted long, as the very next year he won a Guggenheim Fellowship to study mural painting. The fellowship enabled Bisttram to travel to Mexico where he studied mural painting with the world famous muralist Diego Rivera. Numerous mural commissions were to follow throughout his career, including murals for the Department of Justice in Washington D.C., The Taos County Courthouse, New Mexico, and the Federal Courthouse in Roswell, New Mexico.After his time with Rivera was through, Bisttram returned immediately to Taos, and that same year founded the Taos School of Art, of which he would remain the director for the rest of his life. Bisttram came to be much admired as a teacher. He was an extremely articulate individual, and was as skilled at explaining concepts of composition, drawing and painting as he was at applying those concepts to his own paintings. The school was very well attended, particularly during the summer months. Further demonstrating his skills as an administrator, the following year Bisttram started the first commercial art gallery in Taos, the Heptagon Gallery. Bisttram first came to Taos as a representational painter. His canvases show stylized renderings of Native American dancers, portraits of natives and Mexicans, as well as depictions of local architecture. However, he began to experiment with non-objective (ie. Abstract) forms in his paintings. He became heavily influence by the work and philosophy of the painter Wassily Kandinsky. Indeed, in many of Bisttrams canvases, the influence of the Russian is evident in the bright colors, and abstract forms that he began to employ. In 1938 Bisttram, along with Raymond Johnson and several other painters, founded the Transcendental Painting Group in Santa Fe, New Mexico. The aim of the group was to work to bring painting beyond the appearance of the physical world. Work of this type had begun in Europe at least two decades previously, but this was something new to America. Despite the stated goal, Bisttram often maintained elements that were at least semi-representational in his canvases.Bisttram continued to be extremely active in the artistic growth of New Mexico for the rest of his life. In 1952 he co-founded the Taos Art Association, and in ’59 won the Grand Prize for painting at the New Mexico State Fair. Also in 1959, a retrospective of his work was held at the Harwood Art Museum in Taos. As a final honor, and tribute to one who done so much for the artistic community and the identity of New Mexico as a whole, in 1975 April 7th was declared “Emil Bisttram Day,” a New Mexico state holiday. The next year, 1976, Emil Bisttram died at the age of 81</image:title>
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      <image:title>About Barrett - Bill Barrett Bill Barrett, one of today’s foremost sculptors, was born in Los Angeles, CA. He earned a B.S. and M.S. in Design from the University of Michigan, and later an M.F.A. from the same institution. Since the mid 1960’s Barrett has been exhibiting his unique metal sculptures and abstract paintings in numerous solo and group exhibitions in such places as the U.S., Switzerland, Bulgaria and Japan. Barrett’s sculptures of fabricated aluminum, bronze or steel address the interplay between positive and negative space with grace, elegance and exquisite balance. His works call to mind the fluid effortlessness of calligraphic strokes, and betray a positivism to which many viewers feel drawn. His sophisticated constructions, through a delicate balance of form and content, transcend the starker aesthetics of minimalism with a warmth and humanity. To the artist, the imagery of the sculpture is that of a book. The geometric shapes are the pages, while the organic shapes are in motion. What sort of motion, he leaves to the viewer to decide, and it’s okay to see what you need to see. “Abstract art is like music in that when you listen to a song, everyone has different ideas about it, feels different emotions because of it. Even the same person listening to a piece at different times will feel differently. That’s true of abstract art. As a viewer, you can interpret it for yourself as well as seeing what the artist made. That’s what I like about abstract art: you get a chance to participate.” Selected Solo Exhibitions: 2017-2018 AN ARTISTIC TOUCH, Oklahoma State University, maquette exhibition and year long outdoor sculpture installation, Stillwater, OK 2016 THE BRONZE TOUCH, Taylor Graham, New York, NY 2016 SANTA FE BOTANICAL GARDENS, Exhibition of 14 outdoor sculptures, Santa Fe, NM 2015 EMANATIONS in BRONZE small original cast bronze and gold leaf maquette exhibition LewAllen Gallery, Railyard, Santa Fe, NM 2015 INQUIRE WITHIN Paintings and Sculptures by Bill Barrett at The Reading Public Museum, Reading, Pennsylvania in the American Gallery, curated by Scott Schweigert 2012 BILL BARRETT: DNA Exhibition of Sculpture and Paintings, LewAllen Galleries, Railyard, Santa Fe, NM BILL BARRETT: Sculpture and Paintings, Elaine Baker Gallery, Boca Raton, Florida 2011 PAINTINGS AND SCULPTURES, Kouros Gallery, New York, NY 2010 POLYPHONIC ABSTRACTIONS, Painting and Maquette Survey, Iowa State University, Christian Petersen Art Museum, Ames, Iowa SYNCHRONICITY, Painting and Sculpture Exhibition, Kouros Gallery, New York, NY 2008-09 EXQUISITE BALANCE, Outdoor Sculpture, Exhibition, Iowa State University, Ames, Iowa 2008 Drawing Exhibition, Michigan State University, College of Arts and Letters, Kresge Art Center, East Lansing, MI DIVERTIMENTOS in BRONZE, LewAllen Contemporary, Railyard, Santa Fe, NM Kouros Gallery, New York, NY 2007 SOLO SHOW, Bentley Projects, Phoenix, Arizona 2006 SOLO SHOW, Kouros Gallery, New York 2005 CONNEXUS, LewAllen Contemporary Art, Railyard, Santa Fe 2004 SOLO SHOW, Elaine Baker Gallery, Boca Raton, Florida 2002 BRONZE: PATTERNS and COLOR, Century Association, New York Ira Wolk Gallery, St. Helena, CA 2001 SOLO SHOW, Kouros Gallery, New York McCormick Works of Art, Chicago Cline Fine Art, Santa Fe, NM 2000 BILL BARRETT: Sculpture and Painting, Grounds for Sculpture, Hamilton, New Jersey J. J. Brookings Gallery, San Francisco 1999 Harris Gallery, Houston, TX 1998 SOLO SHOW, J. J. Brookings Gallery, San Francisco Nardin Gallery, 57th and Madison Avenue, New York 1996 SOLO SHOW, J.J. Brookings Gallery, San Francisco Kouros Gallery, New York Cline Fine Art, Santa Fe 1995 Mongerson – Wunderlich Gallery, Chicago Roswitha Benkert Galerie, Zurich, Switzerland 1994 SOLO SHOW, Kouros Gallery, New York 1993 SOLO SHOW, Cline Fine Art, Santa Fe 1990 SOLO SHOW, Shidoni Contemporary Gallery, Tesuque, NM Galerie Roswitha Benkert, Zurich 1986 Kouros Gallery, New York, NY Galerie Roswitha Benkert, Zurich 1985–86 Bellevue Hospital Sculpture Garden (outdoor), New York, NY 1985 Kouros Gallery, New York, NY 1983 Sculpture Center, New York, NY 1976–77 Brooklyn Borough Hall (outdoor show), Brooklyn, NY 1976 City University of New York, Graduate Mall, New York, NY 1975 County Executive Buildings, (outdoor show) White Plains, NY 1974 Benson Gallery, Bridgehampton, Long Island, NY Katonah Art Gallery, Katonah, New York, NY 1973 James Yu Gallery, New York, NY 1972 Benson Gallery, Bridgehampton, NY 1971 Lantern Gallery, Ann Arbor, MI 1970 Benson Gallery, Bridgehampton, NY 1969 Benson Gallery, Bridgehampton, NY 10 Downtown Show, New York, NY 1967 Jason Gallery, New York, NY 1966 Kalamazoo Art Center, Kalamazoo, MI 1965 Eastern Michigan University, Ypsilanti, MI 1964 Hanamura Galleries, Detroit, MI Selected Group Exhibitions: 2020 UNCOMMON GROUND IV, Bridge Gardens, Bridgehampton, NY 2017 Santa Fe Botanical Garden VISUAL POETRYExhibition of 14 Outdoor Sculptures, Santa Fe, NM 2015 GROUP MATRIX, Inaugural Exhibition, STUX+HALLER Gallery, New York, NY 2012 Comune di Pontedera, Pontedera, Italy 2011 Friends of Finn Square in Tribeca, City of New York and NYC Parks and Recreation Department present, 9/11 MEMORIAL SCULPTURE COMMEMORATING 10th ANNIVERSARY 2009 Villa Haiss Museum, “20 Bildhauer – 20 Skulpturen”, Zell a.H. Germany 2007 Los Angeles Art Show (exhibited by LewAllen Contemporary, Santa Fe, NM) at Barker Hangar, Santa Monica, CA 2005 U.S. Embassy Residence in Vatican City, The Holy See 2004 LewAllen Contemporary, Santa Fe, NM 2003 Elaine Baker Gallery, Boca Raton, FL LewAllen Contemporary, Santa Fe, NM Eckert Fine Art Gallery, Naples, FL 2002 BRONZE: PATTERNS AND COLOR, Century Association Solo Exhibition, New York 2001 Ford Park Sculpture Exhibition, Art in Public Places Program, Vail, CO 30th Anniversary Invitational Outdoor Sculpture Exhibition, Shidoni Gallery, Tesuque, NM 2000 Gerald Peters Gallery, Santa Fe, NM Sculpture 2000 International, New London, CT ALVA Gallery, New London, CT Euro Galleries, Minneapolis 2000 McCormick Works of Art, Navy Pier Expo, Chicago, IL 1999 Benson Gallery, East Hampton, NY The Sculpture Center, Cleveland, OH 1995–99 Quietude Garden Gallery, East Brunswick, NJ 1998 Albright College Center For The Arts, Freedman Gallery, Reading, PA 1997 Thomas McCormick Works of Art, Chicago, IL 1992–97 Outdoor Sculpture Exhibition, College of Santa Fe, Santa Fe, NM 1996 Grounds for Sculpture, Hamilton, NJ Friends of Contemporary Art, Lewallen Galleries, Santa Fe, NM Armory Show, Kouros Gallery, NY Bologna-Landi Gallery, East Hampton, NY 1995–96 Outdoor Installation, West Broadway and Varick Streets, New York, NY 1995 Hunter Museum of Art, Chattanooga, TN Mongerson-Wunderlich Gallery, Chicago, IL La Quinta Sculpture Garden, La Quinta, CA 1994 Charlotte Jackson Fine Art, Santa Fe, NM Turner-Carroll Gallery, Santa Fe, NM Benkert Gallery, Zurich, Switzerland Philadelphia Expo, Philadelphia, PA 1988–94 Eve Mannes Gallery, Atlanta, GA 1992 Kyoto Gallery, Kyoto, Japan 1991–92 1st Alabama Biennial, University of Alabama, Tuscaloosa, AL 1991 Museum of Fine Arts, Santa Fe, NM Kouros Gallery, Outdoor Sculpture Garden, Ridgefield, CT 1990 Tokyo Expo, Nina Owen, Ltd., Chicago, IL 1989-90 Sculpture Tour, University of Tennessee, Chattanooga, TN 1989 International Contemporary Art Fair, Los Angeles Convention Center, Los Angeles, CA Flat Iron Gallery, New York, NY Basel Expo, Basel, Switzerland Cavalier Gallery, Stamford, CT Food Center Sculpture Park at Hunts Point, Bronx, NY 1988 Ruth Vared Gallery, Easthampton, NY The Romanek Sculpture Garden, Chicago, IL Hudson River Museum, Sculptor’s Guild, Yonkers, NY 1987 Benson Gallery, Bridgehampton, NY 1984-87 Schulman Sculpture Garden, White Plains, NY 1986 Guild Hall Museum, Easthampton, NY Shidoni Contemporary Gallery and Sculpture Garden, Tesuque, NM 1984 Snug Harbor Museum, Staten Island, NY 1983 Sid Deutsch Gallery, New York, NY 1982-83 Phoenix Botanical Gardens, Phoenix, AZ 1982 The Great Garden Sculpture Show, Sculptural Arts Museum, Atlanta, GA International Sculpture Conference, Oakland Museum, Oakland, CA 1981 Botanical Gardens (outdoor show, Sculptor’s Guild), Bronx, NY 1970-81 Sculpture Center, Sixty-Ninth Street, New York, NY 1980 Sculpture Center, Sixty-Ninth Street, New York, NY “AREA” (outdoor show), Washington, DC 1978–80 “AREA” (outdoor show), Wards Island, NY American Mission Building, United Nations, New York, NY 1978 Lincoln Center, New York, NY Martha Jackson Gallery, New York, NY Alexander Milliken Gallery, New York, NY Foley Square (outdoor), New York, NY PS 1, Long Island City, NY Art Train, Michigan Art Train, Inc. 1975 The Society of the Four Arts Sculpture Competition, New York Cultural Center, Columbus Circle, NY 1973–75 Storm King Art Center, Sculpture in the Fields, Mountainville, NY 1974 Large Outdoor Sculpture Show, Bach Festival, Bethlehem, PA 1973-74 Sculpture III, Department of Cultural Affairs, World Trade Center, Pratt Institute and LaGuardia Airport, New York, NY 1972 Andre Emmerich Gallery, New York, NY 1970 University of Connecticut, Storrs, CT 1970 Whitney Museum Sculpture Annual, New York, NY 1966 University of the South, Sewanee, TN 1964 The Cleveland Museum of Art, Cleveland, OH The Bundy Art Gallery, Waitsfield, VT 1963 The San Francisco Museum of Art, San Francisco, CA 1959-63 The Detroit Institute of Arts Shows, Detroit, MI 1959 Father/Son, Indiana Art Center, South Bend, IN Museum and University Collections: 911 Memorial Museum, New York, NY Albright College, Freedman Gallery, Reading, PA Albuquerque Museum of Art, Albuquerque, NM Aldrich Museum of Art, Ridgefield, CT Allan Houser Foundation, Permanent Collection, Santa Fe, NM Boca Raton Museum of Art, Boca Raton, FL Cleveland Museum of Art, Cleveland, OH Eastern Michigan University Library, Ypsilanti, MI Fine Arts Museum of Oklahoma City, OK Goddard Visual Art Center, Ardmore, OK Grounds for Sculpture Museum, Hamilton, NJ Guild Hall Museum of Art, East Hampton, NY Harwood Museum of Art, Taos, NM Hope College, Music School, Holland, MI The Hyde Collection Art Museum, Glens Falls, NY Iowa State University, Art on Campus Collection, Gerdin Building, College of Business, Ames, IA Iowa State University, Art on Campus Model and Maquette Collection, Ames, IA Iowa State University, Department of Music and Theater, Ames, Iowa International Foundation Art Gallery, Sofia, Bulgaria Knoxville Museum of Art, Knoxville, TN Kresge Art Museum, Michigan State University, East Lansing, MI Mercy College, Dobbs Ferry, NY Michigan State University, East Lansing, MI Mitchell Wolfson New World Campus, Miami, FL Museum of Outdoor Art, Englewood, Colorado Neuberger Museum of Art, Purchase, NY Norfolk Museum of Art, Norfolk, VA Oklahoma City Museum of Art, Oklahoma City, OK Oklahoma State University, Stillwater, OK, McKnight Performing Arts Center Purdue University, North Central, Westville, IN Pyramid Hill, Sculpture Park and Museum, Hamilton, OH Reading Museum, Reading, PA Rice University, Houston, TX Runnymede Sculpture Farm, San Francisco, CA Santa Fe Museum of Fine Art, Santa Fe, NM Scottsdale Center for the Arts, Scottsdale, AZ Stony Brook University, Louis and Beatrice Laufer Center for Physical and Quantitative Biology Taubman Museum of Art, Roanoke Virginia The Utsukushi-ga-Hara Open Air Museum, Tokyo, Japan University of Hartford, Hartford, CT University of Michigan Museum of Art, Ann Arbor, MI University of Michigan, School of Dentistry, Ann Arbor, MI University of Michigan, School of Engineering, Ann Arbor, MI University of Michigan, School of Social Work, Ann Arbor, MI University of Montana, Montana Museum of Art and Culture, Missoula, MT University of Nevada, Barrick Museum, Las Vegas, Nevada University of the South, Sewanee, TN University of Syracuse, Syracuse, NY Virginia Museum of Fine Arts, Richmond, VA William Patterson University, Sculpture Collection, Wayne, NJ Selected Public Collections: Ann Arbor City Hall, Ruby Church Memorial, Ann Arbor, Michigan City of Phoenix , Phoenix, Arizona Criminal Court Building , Hartford, Connecticut New York City, New Dorp High School, Staten Island, New York Nyack Plaza Mall, Nyack, New York Pennington Park, Patterson, NJ City of Palo Alto, CA Appaloosa Public Library, Scottsdale, AZ Selected Private Collections: 200 Central Park South, Bernard Spitzer, New York, NY Spitzer Engineering 1615 L. Street, Washington, DC Spitzer Engineering 2001 K. Street, Washington, DC Spitzer Engineering Belz Enterprises, Memphis, TN Best Products Corporation, Richmond, VA Bishop Ranch, San Ramon, CA Brandywine Realty and Trust, Austin, TX The Corinthian Building, New York, NY Dell Corporation, Austin, TX Eighty One Mainstreet Associates, White Plains, NY Garden Communities, La Jolla, CA Hitachi Corporation, Kyushu Plant, Kanda, Japan Jade Pig Corporation, Gaslight Village, Grand Rapids, MI La Jolla Crossroads, La Jolla, CA Lincoln National Life Insurance Company Foundation, Fort Wayne, IN Lumiere Place Casino and Hotel, A Four Seasons Hotel, St. Louis, MO Neiman-Marcus, Dallas, TX Nemocolin Woodlands Resort, Farmington, PA Pacific Enterprises, Law Library, Los Angeles, CA Palazzo Hotel Resort Casino, Las Vegas, NV Peabody Hotel, Little Rock, AR (Belz Enterprises, Memphis, TN) Portman Corporation, Northpark Town Center, Atlanta, GA Rockefeller Realty Corporation, #3 Embarcadero West, San Francisco, CA Saint Vincent Hospital, Santa Fe, NM Schulman Realty Group, White Plains, NY Sempra Energy International, San Diego, CA Tower Insurance Group, New York, NY Trammell-Crow, Paramount, CA Valley National Bank, Phoenix, AZ West Group, One Bunker Hill, Los Angeles, CA Awards: 1994 The Audubon Artists Silver Medal of Honor for Sculpture, NY 1992 The Audubon Artists Chaim Gross Foundation Award for Sculpture, NY 1990 The Audubon Artists Gold Medal of Honor for Sculpture, NY 1988 Fiftieth Annual Guild Hall Artist Members Exhibition, Best Sculpture Award, East Hampton, NY 1987 Hakone Open-Air Museum Award, Japan 1986 The R.S. Reynolds Memorial Award 1965 Kalamazoo Area Art Exhibition/Art Center 1965-1966, Second Annual Purchase, Kalamazoo, MI Eastern Michigan University Ypsilanti Merit Award, Ypsilanti, MI 1964 Forty-sixth Annual Exhibition of Works by Artists and Craftsman of the Western Reserve, Jury Mention, The Cleveland Museum of Art, Cleveland, OH Awarded an exhibition at the Kalamazoo Art Center, Kalamazoo, MI 1962 Annual North Dakota Exhibition Prize in Sculpture, ND Detroit Institute of Arts, Lewis Prize for Outstanding Work by a Michigan Teacher, Detroit, MI 1961 Western Michigan Art Gallery Award for Sculpture, Grand Rapids, MI 1960 Albert Kahn and Associates Award, Detroit Institute of Arts, Detroit, MI 1958 Tri Kappa Award, First Prize Sculpture, Fort Wayne Art Museum, Fort Wayne, IN</image:title>
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      <image:title>About Coleman - Michael Coleman Michael Coleman was born and raised in Provo, Utah and spent his boyhood hunting, fishing and trapping throughout the Rocky Mountains, often taking a sketchbook with him. Early on, he decided on a career in art, and traveled broadly for subject matter. Coleman quickly became a prominent Southwestern artist when in 1978, at the age of 32, he was given his first retrospective at the Buffalo Bill Historical Center. He exhibited at the National Academy of Western Art and at Kennedy Galleries in New York. Then, in 1999, he won the Prix de West Award at the National Cowboy Hall of Fame for his bronze of a moose titled “September,” which work has joined the permanent collection of the Hall of Fame. He paints primarily in oil on board or gouache, but his work also includes bronzes. His style is greatly influenced by many of the key early 19th century masters of the Hudson River School, such as Henry Farny, Thomas Moran and George Inness, and the 20th century animal painter, Carl Rungius. His paintings are rich in detail and muted in tone, true to the remote landscapes he chooses to illustrate. The Indian encampments, wildlife and hunting subjects portrayed against these magnificent areas are rendered in such a way as to give the viewer a sense of gazing on the past. Coleman loves best the dusky-grey, misty, muted tones of fall and early winter and is known for his landscapes of rich colors and detail. He combines realism and atmospheric styles, often with animals depicted in those autumn settings when they are in their prime, but his pieces always suggest a balanced harmony between artist, animal, and nature. Coleman’s works can be found in the private and public collections of Clint Eastwood, Ian Cumming, John Huntsman, Stan Kamen, President George Bush, Sr., Vice-President Dick Cheney, the Corning Museum, the Anschutz Collection, the National Wildlife Art Museum, the Buffalo Bill Historical Center, the Canadian Embassy, and the National Museum of Dubai, just to name a few. Born: June 25, 1946, Provo, Utah Education: Brigham Young University SELECTED EXHIBITIONS, HONORS, AND AWARDS: 2014 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2014 Briscoe Western Art Museum Night of Artists, San Antonio, Texas 2013 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2013 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2013 Autry Museum of Western Heritage, Los Angeles, California 2012 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2012 Briscoe Western Art Museum Night of Artists, San Antonio, Texas 2012 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2012 Autry Museum of Western Heritage, Los Angeles, California 2011 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2011 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2011 Autry Museum of Western Heritage, Los Angeles, California 2010 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2010 Briscoe Western Art Museum Night of Artists, San Antonio, Texas 2010 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2010 Autry Museum of Western Heritage, Los Angeles, California 2009 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2009 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2009 Autry Museum of Western Heritage, Los Angeles, California 2008 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2008 Birds in Art, Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin 2008 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2008 Autry Museum of Western Heritage, Los Angeles, California 2008 One-man show, Legacy Gallery, Jackson, Wyoming 2007 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2007 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2007 Autry Museum of Western Heritage, Los Angeles, California 2007 The Paintings of Yellowstone: A Retrospective Show, Montana Trails Gallery, Bozeman, Montana 2006 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2006 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2006 Autry Museum of Western Heritage, Los Angeles, California 2005 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2005 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2005 Autry Museum of Western Heritage, Los Angeles, California 2004 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2004 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2004 Autry Museum of Western Heritage, Los Angeles, California 2003 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2003 Prix de West Invitational Art Exhibition, National Cowboy &amp; Western Heritage Museum, Oklahoma City, Oklahoma 2003 Autry Museum of Western Heritage, Los Angeles, California 2003 Governor’s Mansion Artist, Salt Lake City, Utah 2002 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2002 Autry Museum of Western Heritage, Los Angeles, California 2002 Most Honored Artists of Utah-Olympic Curatorial Committee 2001 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 2000 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 1999 Buffalo Bill Show, Buffalo Bill Historical Center, Cody, Wyoming 1999 Prix de West Award, National Cowboy Hall of Fame, Oklahoma City, Oklahoma 1996 One-man show, National Hunting Museum, Munich, Germany 1993 National Academy of Western Art, Oklahoma City, Oklahoma Gold Medal Award (Watercolor) 1992 National Academy of Western Art, Oklahoma City, Oklahoma Silver Medal Award (Oil) 1992 International Wildlife Exposition, Everard Read Gallery, Johannesburg, South Africa 1992 Hubbard Award for Excellence 1992 International Exhibition of Wildlife and Natural History 1991 Hubbard Award for Excellence 1989 One-man show, J.N. Bartfield Gallery, New York 1988 One-man show, J.N. Bartfield Gallery, New York 1986 One-man show, Gerald Peters Gallery, Santa Fe, New Mexico 1985 One-man show, Wunderlich &amp; Co., New York 1985 One-man show, Gerald Peters Gallery, Santa Fe, New Mexico 1984 Museum of Western Art, Denver 1984 One-man show, Wunderlich &amp; Co., New York 1983 Mongerson Gallery, Chicago 1983 Charlie Russell Museum, Great Falls, Montana 1981 Palm Springs Museum, Palm Springs, California 1979 Gold &amp; Silver Medal, Cowboy Hall of Fame, Oklahoma City, Oklahoma 1979 One-man show, Kennedy Galleries, New York 1977 One-man show, Kennedy Galleries, New York 1977 One-man show, Buffalo Bill Historical Center, Cody, Wyoming 1976 One-man show, Kennedy Galleries, New York PRIVATE AND PUBLIC COLLECTIONS: The White House, Washington, D.C. National Museum of Dubai NuSkin International, Provo, Utah Gulf States Paper Corporation, Tuscaloosa, Alabama Texas Commerce Bank, Houston Anschutz Collection, Denver Corning Museum, New York Buffalo Bill Historical Center, Cody, Wyoming Charlie Russell Museum, Great Falls, Montana William Middendorf, Washington, D.C. Mack Pogue, Dallas Sports Afield Magazine, New York Burt Reynolds, Los Angeles Hal Wallace, Los Angeles Clint Eastwood, Carmel Los Angeles Athletic Club, Los Angeles Steven L. Rose, Los Angeles Stan Kamen, Los Angeles National Wildlife Art Museum, Jackson Hole, Wyoming Big Cedar Lodge, Ridgedale, Missouri Bill Kerr, Jackson Hole, Wyoming Ian Cumming, Leucadia Corporation, Salt Lake City John Huntsman, Huntsman Chemical Company, Salt Lake City Canadian Embassy Leaning Tree Museum, Colorado Long Grass Prairie Preserve, Oklahoma Wells Fargo, Provo, Utah Thomas S. Monson, Salt Lake City, Utah Christopher Forbes COMMISSIONS: 1995 National Wildlife Art Museum, Jackson, Wyoming 1985 Boone and Crockett Club, Brown Bear Conservation Stamp 1986 Alaskan Professional Hunters Association, Grizzly Stamp 1987 Alaskan Professional Hunters Association Hyatt Regency, Aspen, Colorado Leaning Tree Museum, Colorado FILMS: The Romantic Western Landscape of Michael Coleman, Ian Mandan producer BIBLIOGRAPHY: 2012 The Ties That Bind, Western Art &amp; Architecture, Feb/Mar by Laura Zuckerman 2009 A Wing and A Prayer, Western Art Collector, July 2009 Under Eagles’ Wings: The Art of Michael Coleman, Peter H. Hassrick, published by Coleman Studios. 2008 A Family of Art: The Colemans, Western Art Collector, July 2008 Illuminations: Michael Coleman, Western Art &amp; Architecture, Summer/Fall 2003 New Horizons, Michael Coleman Pushes His Envelope, by Rebecca H. Rowland, Wildlife Art, March/April 2002 Drawn to Yellowstone: Artists in America’s First National Park, Peter H. Hassrick, Autry Museum of Western Heritage in association with University of Washington Press 1999 Masters for the new Millenium (The Important and Enduring Work of America’s Twelve Most Compelling Artists), Art of the West, November/December (12th Anniversary Issue) 1998 Artists to Watch in ‘99, U.S. Art, December 1996 Salt Lake City, November/December 1995 Southwest Art, Commemorative Edition Covering The West: The Best of Southwest Art, July 1992 Art of the West, March/April 1992 Salt Lake City, January 1990 WildLife Art, November/December 1990 Top Ten Investments For the 90’s, USA Today 1988 Sporting Classics, May/June 1987 Southwest Art, November 1987 Sports Afield, October 1985 Grays Sporting Journal, Summer 1984 American Way, May 1984 Sports Afield, July 1984 Southwest Art, January - Cover 1983 Sports Afield, April 1978 Rocky Mountain Magazine 1977 Southwest Art, February 1976 Ten American Landscape Artists and How They Work, edited by Susan Meyer, published by Watson Guptill 1975 American Artist, January, Western Art</image:title>
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      <image:title>Carl Oscar Borg - Carl Oscar Borg Carl Oscar Borg, protégé of Phoebe Hearst, and friend of personalities like Edward Borein, Thomas Moran and Charles M. Russell could create any subject in any medium, and do it well. He was successful and highly regarded during his lifetime, and received numerous awards and medals. In the annals of American art history, Carl Oscar Borg belongs to the group of artists who are recognized as the great artistic interpreters of the American West, such as Couse, Sharp, Henning, Ufer, Higgins and Berninghaus. Borg belongs also to the group of artists who came to California at the turn of the century to paint and record the California landscape. Artists like Payne, Puthuff, Dixon, and Wendt. Borg’s works are included in every major museum, university, and private collection throughout the United States. He had studios in Gothenburg, Paris, Rome, Santa Barbara, San Francisco, and Los Angeles. Borg succeeded in preserving part of America’s cultural heritage by documenting the customs and religious ceremonies of the Native Americans who had befriended him. He used paint, canvas and brushes to express the unique qualities he found in New Mexico, Arizona and California. Carl Oscar Borg was born into a poor family in Dals-Grinstad, Sweden on March 3, 1879. As soon as he could hold a pencil he started copying pictures from books. Borg apprenticed to a house painter at age 15, traveled to Paris for a short time, then moved to London and became assistant to portrait and marine painter George Johansen. He began painting during that time. In 1901, he sailed for the U.S. and worked as a house and furniture painter in the East, but it was not the life he had dreamt about and decided to try California. He discovered Santa Barbara in 1903 on the way from San Francisco to Los Angeles. Under the patronage of Phoebe Hearst, who recognized Borg’s talent, he was able to return to Europe to study art. It was also Mrs. Hearst who made arrangements with the Department of the Interior for Borg to live with the Native Americans. Borg taught art at the California Art Institute in Los Angeles and at the Santa Barbara School of the Arts. He was a founding member of the California Art Club, and the first art director for major Hollywood studios. The West began to change and Borg did not like the changes. But the automobile, the railroad, and the movies did support him. The Santa Fe Railroad hung his paintings in their offices to attract the interest of the tourists. Touring Topics, the Automobile Club’s publication, featured one of Borg’s Grand Canyon paintings on the cover. He had a very special place in his heart for the Grand Canyon. And he asked that his ashes be given to the wind of this special place. But times were changing. Borg saw the growing popularity of modern art. Discouraged, Borg returned to Sweden in 1934 and again in 1938. There he painted people and scenes of his homeland and successfully exhibited his paintings of the American Southwest. World War II kept Borg in Sweden even though he was an American citizen. Very homesick for California, he returned to Santa Barbara to stay. But many of his friends had died, and he was estranged from the world that had evolved there. Nevertheless, he was at peace with himself. On May 8, 1947, Borg painted in his studio, as he did every day. That evening, he walked to his favorite restaurant to enjoy his favorite food. He was stricken with a massive heart attack and died in the ambulance on the way to the hospital. His wish was granted – his ashes were given to the wind of his beloved Grand Canyon.</image:title>
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      <image:title>About Lumpkins - William Lumpkins William Lumpkins (1909 - 2000) was an artist and architect best known for his abstract watercolors and pioneering solar adobe architecture. He was born on a ranch near Clayton, New Mexico. His early life was dominated by hard work, and he received a sporadic early education. A childhood tutor taught him about Zen Buddhism, which made a lasting impact on his life and artwork. In the late 1910’s, the family moved to Springville, Arizona. As an 8-year-old, Lumpkins caught sight of an artist passionately working in his studio and was inspired to follow the same path. In 1924 the family relocated again to Lincoln County, New Mexico. Lumpkins attended high school in Roswell. There he met artist Peter Hurd (1904-1984) and writer Paul Horgan, who would be influential artistic mentors. “Peter was a grand friend,” Lumpkins said of Hurd. “He was so supportive of me and my early work. I was only working in pencil and paper—I didn’t have a pen at that time—but Pete would examine each of my primitive efforts and would critique each and every one as if they were masterpieces. More than anyone, before or since, Peter Hurd was the one person who helped me see with the eye of an artist.” In 1927, Lumpkins took his first trip to Santa Fe with Hurd. Two years later he graduated from high school and enrolled at the University of New Mexico in Albuquerque. There he studied painting under Neil Hogner and took architecture classes from Irwin Parsons. He also met young artists Cady Wells and Andrew Dasburg, who taught him about nonrepresentational painting. During the summers, the artist recalled working feverishly throughout the day “as if possessed”. This early work already displays the quintessential Lumpkins approach, in which the immediacy of watercolor is fully wielded and “the strokes are bold and energetic; white paper both a luminous ground and a compositional element." Lumpkins’ breakthrough into abstract painting came in 1930, when he stumbled upon the installation of a John Marin exhibition in Taos. “Marin’s paintings were leaning against the wall and as I glanced at them, I was totally mystified,” he said. “I guess one problem was that I was looking at them upside down, I found out that didn’t matter. It worked either way. They were wonderful.” The artist completed his first abstract painting shortly thereafter, about a decade before the rise of Abstract Expressionism in the United States. After studying engineering at Colorado State University, Lumpkins enrolled at the University of Southern California for architecture. He "got tired" of school before graduating, and returned to Santa Fe in 1935 to work as an artist and junior architect for the Works Progress Administration. Lumpkins said he chose a career in architecture over art because he “didn’t want to be a starving artist”. Over the next few years, he became known for traditional architectural designs that blended Pueblo and Craftsman aesthetics. He mounted multiple historic preservation projects in the region and also became an authority on contemporary adobe architecture, but he couldn't stay away from the paintbrush for long. Along with his friends Raymond Jonson, Emil Bisttram and others, Lumpkins formed the Transcendental Painting Group (TPG) in 1938. The collective was inspired by early abstract artists like Wassily Kandinsky and Piet Mondrian, as well as Theosophy, Zen Buddhism and Dynamic Symmetry. Their goal was to validate and promote abstract art by transcending their senses to explore spiritual realms. The group organized lectures, published articles and mounted exhibitions in New Mexico, San Francisco and New York. The TPG only lasted a few years, disbanding in 1942 because of World War II. However, the collective’s influence endures in the Southwest and beyond. Some consider the group an heir to Russian Constructivism, Gino Severini and the Bauhaus. After World War II, Lumpkins worked as an architect and painter in La Jolla, CA. In the 1940s he started to develop a new style that blended Spanish Colonial and Pueblo influences, which he called “Spanish-Pueblo”. It was during this period that he began his series of experimental felt-tip pen drawings. In 1967, Lumpkins returned to Santa Fe for a third and final time. He continued to work in architecture, co-founding solar energy firm Sun Mountain Design in 1972. He also produced innovative artwork during this period, completing a series of semi-abstract and abstract drawings and serigraphs. Lumpkins co-founded the Santa Fe Art Institute in 1985, and mounted major museum retrospectives of his art and design work in the 1990’s. He died in 2000. His artwork is held in many prominent collections, including the Smithsonian Institution. “Architecture is discipline—painting is freedom,” he said. “I need both.”</image:title>
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      <image:title>Artists - Russell Chatham</image:title>
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      <image:title>Artists - Russell Chatham - Russell Chatham Russell Chatham’s perfectionist nature is evidenced in his landscape paintings. Sometimes taking as long as a year to complete, Chatham does not consider a painting “finished” until he determines it is so. Working from memory his landscape paintings contain an inimitable poetic quality.Chatham often begins a painting with words- descriptions of the light, the weather, the atmosphere- recording more of a sense of place. He carries this as a memory and experience back to studio which he proceeds to suggest and convey through paint. He is also regarded as one of the foremost lithographers in the world with his lithographs taking up to 50 separate plates. (Read More)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/f53f6655-6b52-4c87-b52d-bd96905cdec7/BOOT_SCOOT_BOOGIE_3.jpg</image:loc>
      <image:title>Artists - Rudi Broschofsky</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/a8ae8060-abbe-4a2d-b438-7ac619f090fb/BOOT_SCOOT_BOOGIE_1.gif</image:loc>
      <image:title>Artists - Rudi Broschofsky</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591912405389-C5HN60OIQ2CGSH2QV7KM/Gadd_Ray_762A5879.jpg</image:loc>
      <image:title>Artists - Rudi Broschofsky</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.brogallery.com/artists/jr-hess</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/599c7571-83d5-459d-b3f2-48feac8c33af/JR_Hess_Ghost_Of_The_Plains_Frame.jpg</image:loc>
      <image:title>Artists - J.R. Hess</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/571bddc5-c8f1-4531-b0cd-2b69361ffc1f/JR_Hess_In_Dreams_Frame.jpg</image:loc>
      <image:title>Artists - J.R. Hess</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/d9d17dd5-53a3-4b2b-ac50-678a73d1fb5d/JR_Hess_Ghost_Of_The_Plains_Crop.jpg</image:loc>
      <image:title>Artists - J.R. Hess</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/6fb77d14-215e-4e68-989e-e2926f404aad/JR_Hess_In_Dreams_Crop.jpg</image:loc>
      <image:title>Artists - J.R. Hess</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/b2662fc7-f04e-48d8-a8a8-da86af629425/JR_Hess_Ghost_Of_The_Plains_Detail.jpg</image:loc>
      <image:title>Artists - J.R. Hess</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/6651fd07-0805-4665-ad65-7250d0347afe/JR_Hess_In_Dreams_Detail.jpg</image:loc>
      <image:title>Artists - J.R. Hess</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/2e3dd780-b533-458e-bf0f-f466c412c2b5/Screenshot+2024-09-25+at+12.30.37%E2%80%AFPM.png</image:loc>
      <image:title>Artists - J.R. Hess - J.R. Hess From the time J.R. was very young, he has pursued his passion for creating art that capures the stunning details of life and nature. Currently residing in Colorado, he finds inspiration from the people and wildlife that surround him. With his recent works, J.R. attempts to bring awareness to the importance of wildlife conservation and cultural preservation.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.brogallery.com/artists/fritz-scholder</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/d01d0cd9-ecbb-4d51-891f-fc253979f9e9/FRITZ_SCHOLDER_DECO_INDIAN_FRAME.jpg</image:loc>
      <image:title>Artists - Fritz Scholder</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/681427fd-f9a2-441b-a39c-9daa4a75e29a/FRITZ_SCHOLDER_INDIAN_CLICHE_FRAME.jpg</image:loc>
      <image:title>Artists - Fritz Scholder</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/3607bc53-fc95-4e94-8395-9bdc8e85e7df/FRITZ_SCHOLDER_DECO_INDIAN_CROP.jpg</image:loc>
      <image:title>Artists - Fritz Scholder</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/9b56410a-c84b-4172-89e7-f93083f8922b/FRITZ_SCHOLDER_INDIAN_CLICHE_CROP.jpg</image:loc>
      <image:title>Artists - Fritz Scholder</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/a219dd8e-8973-49eb-8a73-6fffd8265005/FRITZ_SCHOLDER_DECO_INDIAN_DETAIL.jpg</image:loc>
      <image:title>Artists - Fritz Scholder</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/eb4d1fbf-0d2d-4f35-8c95-15f78b2d0179/FRITZ_SCHOLDER_INDIAN_CLICHE_DETAIL.jpg</image:loc>
      <image:title>Artists - Fritz Scholder</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/84785855-594c-4ce5-8e2d-1a5e779cb752/Screenshot+2024-11-26+at+4.08.14%E2%80%AFPM.png</image:loc>
      <image:title>Artists - Fritz Scholder - FRITZ SCHOLDER Fritz Scholder was an American artist associated with post-modern and pop art movements. His work often depicted the American Indian and was expressed through paintings, monotypes, lithographs, and sculptures. Born in 1937 in Breckenridge, Minnesota, he later lived and worked in Santa Fe, New Mexico.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.brogallery.com/artists/gary-traczyk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/cc603ea5-a0a1-4368-9138-feaaeee6f7c9/SPIRIT.jpg</image:loc>
      <image:title>Artists - Gary Traczyk</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/22168b43-1235-4bf1-83c6-308248c17ce3/INFINITY.jpg</image:loc>
      <image:title>Artists - Gary Traczyk</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/944780de-6cd4-4f53-be67-7571b3d0c17b/ORBIT.jpg</image:loc>
      <image:title>Artists - Gary Traczyk</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/f848d273-3aab-4a5b-a522-6b17b5937e94/Head_Shot.jpg</image:loc>
      <image:title>Artists - Gary Traczyk - GARY TRACZYK Gary Traczyk is a kinetic stainless steel sculptor who lives and works in South Florida. Each work is interactive and movement is performed through the viewers touch. His work has been commissioned and exhibited by galleries, individuals and institutions across the United States and internationally. His talent and decades-long dedication to the medium have earned him recognition in a scant class of creators who are accomplished in the art form.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.brogallery.com/artists/pat-steir</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1607113627280-05DR6WLWPYMOOLLQNYV3/PAT_STEIR_WHITE_WAVE_HOKUSAI_CROP.jpg</image:loc>
      <image:title>Artists - Pat Steir</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1607113623399-Z25GLP3QLCVWRHZTG2W5/PAT_STEIR_WHITE_WAVE_HOKUSAI_DETAIL.jpg</image:loc>
      <image:title>Artists - Pat Steir</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1607113625322-73OBGVVBRKY6NWVF0KHV/PAT_STEIR_WHITE_WAVE_HOKUSAI_WALL.jpg</image:loc>
      <image:title>Artists - Pat Steir</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1607113220880-S60JC6C9VPIXADNU824Y/PAT_STEIR_ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Pat Steir - Pat Steir Pat Steir is an influential American painter. Best known for her Waterfall series of splashed, dripping pigment on canvas, her work is influenced by Color Field painting, Abstract Expressionism, and Taoist philosophy. Steir’s eclectic practice is characterized by an interest in aesthetic degradation, wherein she frequently breaks down her large, washy paintings into semblances of itself. "I wanted to destroy images as symbols,” the artist has said. “To make the image a symbol for a symbol. I had to act it out, make the image, and cross it out. No imagery, but at the same time endless imagery. Every nuance of paint texture worked as an image.” Born in 1938 in Newark, NJ, she received her BFA from the Pratt Institute in New York in 1962 and befriended and studied with many influential Conceptual and Minimalist artists of the day, including Sol Lewitt, Agnes Martin, and Lawrence Weiner. Steir has gained widespread acclaim for her representational and abstract works, holding solo exhibitions at institutions such as the Brooklyn Museum in 1984, and being represented in the collections of The Museum of Modern Art in New York and the Walker Art Center in Minneapolis, among others.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.brogallery.com/artists/roy-lichtenstein</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/096cdf5b-dfc5-4da0-b50d-7c0c6d1dec5b/ROY_LICHTENSTEIN_AS_I_OPENED_FIRE_1_FRAME.jpg</image:loc>
      <image:title>Artists - Roy Lichtenstein</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/b62d3ae2-a200-415c-8a5f-4c8150a9c9cd/ROY_LICHTENSTEIN_AS_I_OPENED_FIRE_2_ORIGINAL+copy.jpg</image:loc>
      <image:title>Artists - Roy Lichtenstein</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/a85ab6e2-ea25-48ce-bf71-5652a6212974/ROY_LICHTENSTEIN_AS_I_OPENED_FIRE_3_FRAME.jpg</image:loc>
      <image:title>Artists - Roy Lichtenstein</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/31c33e37-566e-4427-96c9-a561ddf2565b/ROY_LICHTENSTEIN_AS_I_OPENED_FIRE_1_CROP.jpg</image:loc>
      <image:title>Artists - Roy Lichtenstein</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/e28ee816-0060-4826-b35d-2fdd50a5ea25/ROY_LICHTENSTEIN_AS_I_OPENED_FIRE_2_CROP.jpg</image:loc>
      <image:title>Artists - Roy Lichtenstein</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/57c45385-9632-4731-8600-2ad93e026fb2/ROY_LICHTENSTEIN_AS_I_OPENED_FIRE_3_CROP.jpg</image:loc>
      <image:title>Artists - Roy Lichtenstein</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1621286420697-UAMQ6D8MLJK2Q85P6TLM/Roy_Lichtenstein_Artist_Profile.jpg</image:loc>
      <image:title>Artists - Roy Lichtenstein - Roy Lichtenstein Roy Fox Lichtenstein (October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.</image:title>
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  </url>
  <url>
    <loc>https://www.brogallery.com/artists/ken-peloke</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1587661724040-QDT85H0YDSHHLWDJQ6WQ/KEN_PELOKE_DASHING_CROP.jpg</image:loc>
      <image:title>Artists - Ken Peloke</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1587661782604-CJOK5XHSUQNFWNPOMDJK/KEN_PELOKE_DASHING_WALL.jpg</image:loc>
      <image:title>Artists - Ken Peloke</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1587661723745-VLUPX2DXM2VILYR90ZM2/KEN_PELOKE_DASHING_DETAIL.jpg</image:loc>
      <image:title>Artists - Ken Peloke</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1587659781389-X3F9VVHMQZOKLGZC37QF/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Ken Peloke - Ken Peloke Through experimentation and self-teaching, Ken Peloke has learned to use all of his past works whether it be, landscapes, people, animals, abstracts, design and photography in his current work. A move to Scottsdale, Arizona inspired a current direction with Ken finding inspiration by spending time with his wife’s horses. Ken has discovered their beauty, their athleticism, and also their innocence. His bold, large-scale pieces capture the pure essence of the horse while still challenging his artistic talents. His multimedia approach creates depth and incredible realism to his pieces that give them a one of a kind contemporary appeal.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.brogallery.com/artists/john-james-audubon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591386093206-0Z86D452WQQH1Y6FY10R/JOHN_JAMES_AUDUBON_HOOPING_CRANE_FRAME.jpg</image:loc>
      <image:title>Artists - John James Audubon</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591386005875-36N5BJV0OJ1AZTU8KP5M/JOHN_JAMES_AUDUBON_HOOPING_CRANE_WALL.jpg</image:loc>
      <image:title>Artists - John James Audubon</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591386088688-LLW4U8ULFN6219LFTPTU/JOHN_JAMES_AUDUBON_HOOPING_CRANE_CROP.jpg</image:loc>
      <image:title>Artists - John James Audubon</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591386087571-L11Z8A5033KPDKH2CHID/JOHN_JAMES_AUDUBON_HOOPING_CRANE_DETAIL.jpg</image:loc>
      <image:title>Artists - John James Audubon</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591385249498-JET4NA6RY56IDNDBJIKZ/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - John James Audubon - John James Audubon John James Audubon (April 26, 1785 – January 27, 1851) was a French-American ornithologist, naturalist, hunter, and painter. He painted, catalogued, and described the birds of North America in a form far superior to what had gone before. In his outsize personality and achievements, he seemed to represent the new American nation of the United States. Audubon’s Birds of America, originally comprised of 435 hand-colored engravings, was twelve years (1825-1838) in the making. The first Audubon folio was published in double-elephant folio size (26 by 39 inches) as hand-colored engravings by the renowned London engraver, Robert Havell. Its masterfully designed compositions are clearly the work of a great artist. Hailed in his lifetime for his artistic achievement, Audubon’s status as an artist has continued to increase, and his work remains unchallenged as the superlative example of its genre. The Oppenheimer Field Museum Edition of Audubon’s Fifty Best is the first facsimile edition to accurately replicate the quality of the original Audubon edtion of Birds of America complete in the 1830′s. This publication achieves an esthetic quality that we can endorse as comparable to the originals. The remarkable similarity to the hand-colored Havell engravings cannot be overstated. Each print is on Hahnemuhle cotton rag watecolor paper. Each print is embossed by hand with the Oppenheimer Editions stamp and the official Field Museum stamp. The verso of each print is stamped, numbered and signed bye The Field Museum Librarian.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.brogallery.com/artists/david-yarrow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/efe3852e-5423-40d0-8fbf-35d1f1c2e812/David_Yarrow_Tennessee_Whiskey_Frame.jpg</image:loc>
      <image:title>Artists - David Yarrow</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/e475934c-4e66-4f4b-be5a-2e836ec7313a/DAVID_YARROW_GO_WEST_YOUNG_MAN_FRAME.jpg</image:loc>
      <image:title>Artists - David Yarrow</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/c612e34b-a6fc-4090-ab50-24528525851a/DAVID_YARROW_THE_END_OF_THE_LINE_FRAME.jpg</image:loc>
      <image:title>Artists - David Yarrow</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/596ae864-c2a6-41f0-8519-b10ff10e2a03/DAVID_YARROW_IN_THE_BLEAK_MIDWINTER_FRAME.jpg</image:loc>
      <image:title>Artists - David Yarrow</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/abd897ab-74dd-47fb-993a-4624f29e530d/DAVID_YARROW_HAPPY_HOUR_FRAME.jpg</image:loc>
      <image:title>Artists - David Yarrow</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1096b188-35ee-46d4-b381-002069ec53d9/DAVID_YARROW_LIVING_WITHOUT_BORDERS_FRAME.jpg</image:loc>
      <image:title>Artists - David Yarrow</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1685cce4-43a8-4b69-90c8-a8d8bb3b13c7/David_Yarrow_Local_Hero_Frame_II.jpg</image:loc>
      <image:title>Artists - David Yarrow</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/85bcfbf2-abef-4604-b526-3c0a4e5dc199/DAVID_YARROW_THE_ROLLING_STONES_FRAME.jpg</image:loc>
      <image:title>Artists - David Yarrow</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/504c764f-62bb-4c6f-a45f-cb70b3045f93/COME_FLY_WITH_ME_FRAME.jpg</image:loc>
      <image:title>Artists - David Yarrow</image:title>
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    <image:image>
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      <image:title>Artists - David Yarrow - David Yarrow David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses. In September 2019, Rizzoli published their second book by David Yarrow. It was Rizzoli’s flagship book and their Autumn catalogue featured David’s image on the cover. The books foreword was written by global NFL star Tom Brady and an afterword written by American cultural icon Cindy Crawford. All royalties from this book will be donated to conservation charities Tusk, in the UK and WildAid, in the US. In 2018 and 2019 David’s work raised over $4.5m for philanthropic and conservation organisations. At Art Miami in December 2019, David’s photograph “The Wolves of Wall Street” broke new records. One print, signed by Leonardo DiCaprio and Martin Scorsese, featuring the real Wolf of Wall Street – Jordan Belfort – sold for $200,000. The proceeds went to conservation NGOs supported by DiCaprio.</image:title>
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      <image:title>Artists - Pitar - Pitar Inspired by nature, I seek out geometries—a pursuit that began with origami but has since grown to include other forms. Geometry grounds my work, enabling me to create harmonious and balanced compositions. By simplifying complex shapes, I distill their essence and invite viewers to meditate on minimalism. Working with a range of materials—from volcanic stone to bronze and iron—I constantly push my boundaries as an artist.</image:title>
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  <url>
    <loc>https://www.brogallery.com/artists/theodore-villa</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-11</lastmod>
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      <image:title>Artists - Theodore Villa - Theodore Villa Born in Santa Barbara, California, Theodore Villa was raised by his maternal grandmother of White Mountain Apache (Coyotero) and Spanish ancestry. He gained a Bachelors of Fine Arts, followed by a Masters, at the University of California, Santa Barbara. His grandmother’s stories and legends are one of the primary sources through which Villa culls his inspiration for his watercolor paintings. Rendered in vibrant washes, the compositions reverberate with echoes from the past while delivering their message in dynamic contemporary terms. A tactile quality carries throughout his works, beads render a shiny brilliance, buckskin looks like hand-tanned leather, fur looks real and feathers warrant closer inspection. In opposition to most static museum displays, Theodore’s works have life, motion and humor. Fringe floats, balance emerges—that between illusion and allusion. (Read More)</image:title>
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  <url>
    <loc>https://www.brogallery.com/artists/joan-mitchell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-22</lastmod>
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      <image:title>Artists - Joan Mitchell - Joan Mitchell Joan Mitchell was a leading American Abstract Expressionist painter and printmaker. Working in an inventive gestural style, Mitchell’s works are characterized by their luminous layers of color and inspiration from nature. “My paintings are titled after they are finished. I paint from remembered landscapes that I carry with me—and remembered feelings of them, which of course become transformed,” she once reflected. Born on February 12, 1925 in Chicago, IL, Mitchell earned both her BFA and MFA from the School of the Art Institute of Chicago. Moving to New York in the late 1940s, she was introduced to the ideas espoused by Willem de Kooning, Jackson Pollock, and Hans Hofmann. In 1951, Mitchell was included in the groundbreaking “Ninth Street Show,” curated by Leo Castelli at the Artists’ Club in Greenwich Village. Over the following decades, the artist divided her time between Paris and New York, developing the style of blocky shapes of lyrical color for which she is now known. Mitchell died on October 30, 1992 in Paris, France at the age of 67. In 2018, her painting Blueberry (1969), set an auction record for Mitchell when it sold at Christie’s for $16.6 million. Today, the artist’s legacy is remembered through the Joan Mitchell Foundation which provides grants for sculptors and painters in the United States. Her works are featured in the collections of the Centre Georges Pompidou in Paris, The Museum of Modern Art in New York, and the Tate Gallery in London, among many others.</image:title>
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  <url>
    <loc>https://www.brogallery.com/artists/jim-dine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-28</lastmod>
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      <image:title>Artists - Jim Dine - Jim Dine Jim Dine is an American artist and poet known for his contributions to the formation of both Performance Art and Pop Art. Employing motifs which include Pinocchio, heart shapes, bathrobes, and tools, Dine produces colorful paintings, photographs, prints, and sculptures. “I grew up with tools. I came from a family of people who sold tools, and I’ve always been enchanted by these objects made by anonymous hands,” Dine has said. Born on June 16, 1935 in Cincinnati, OH, he studied poetry at the University of Cincinnati before attending the University of Ohio where he received his BFA in 1957. After moving to New York in 1958, Dine became part of a milieu of artists which included Allan Kaprow and Claes Oldenburg, with whom he began to stage performances at sites in the city, these later became known as “Happenings.” By the early 1960s, he had switched his focus towards painting, drawing on his interest in popular imagery and commercial objects. Though he was shown alongside Roy Lichtenstein and Andy Warhol, Dine never considered himself a member of the Pop Art movement. The artist currently lives and works between New York, NY and Walla Walla, WA. His works are included in the collections of The Museum of Modern Art in New York, the Tate Modern in London, the Bilbao Fine Arts Museum, and the Walker Art Center in Minneapolis, among others.</image:title>
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  </url>
  <url>
    <loc>https://www.brogallery.com/artists/joellyn-duesberry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-06</lastmod>
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      <image:title>Artists - Joellyn Duesberry</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591473246726-83UAARW5B42FKPJV4L3W/JOELLYN_DUESBERRY_LAKESIDE_VIEW_WALL.jpg</image:loc>
      <image:title>Artists - Joellyn Duesberry</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591473252826-SO30P4RDXQZ626KEMP8K/JOELLYN_DUESBERRY_LAKESIDE_VIEW_CROP.jpg</image:loc>
      <image:title>Artists - Joellyn Duesberry</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591473256330-XGGVDC937X09OMKNN9JL/JOELLYN_DUESBERRY_LAKESIDE_VIEW_DETAIL.jpg</image:loc>
      <image:title>Artists - Joellyn Duesberry</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591391316280-SD3FR9J3WY4HMC9A63K6/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Joellyn Duesberry - Joellyn Duesberry</image:title>
      <image:caption>Joellyn Duesberry is nationally recognized for her dynamic landscape paintings. Her canvases are remarkable for their rich and intense use of color, and for her distinct interest in the geometry of the various cityscapes and landscapes she interprets. Many of Ms. Duesberry’s paintings, though clearly contemporary, echo such great modernist masters as John Marin and Milton Avery. Her use of light, shadow, scale and texture culminates in paintings that are both visually and emotionally arresting. Ms. Duesberry divides her time between studios in Denver, Colorado and Millbrook, New York, and has painted plein-air around the world for 40 plus years. She began exhibiting in New York City in 1979, and has since had ten New York solo exhibitions, with recent retrospectives at the Century Association and Denver Art Museum. in January 2006, titled “Joellyn Duesberry: Three Decades of Paint.” She has shown widely around the country, and is represented by galleries coast to coast. A pivotal point in Ms. Duesberry’s career came in 1986 when she was awarded a National Endowment for the Arts grant which enabled her to work with Richard Diebenkorn. Diebenkorn encouraged her to try monotype print-making, and since then she has been actively producing and exhibiting her monotypes along side her plein-air paintings. The Virginia Museum of Fine Arts started “The Covenant of Seasons” which is in its ninth year of national travel, most recently at Hotchkiss and Oberlin; in Autumn 2006 it will be shown at Exeter. Ms. Duesberry’s paintings are in numerous museum, public and private collections around the country. In 2005, a PBS documentary was made of Joellyn Duesberry’s life, work, and creative process.</image:caption>
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  </url>
  <url>
    <loc>https://www.brogallery.com/artists/william-lumpkins</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591388239930-O3IQF1D2PQPN1BA0I641/WILLIAM_LUMPKINS_LAVENDER_TOUCH_FRAME.jpg</image:loc>
      <image:title>Artists - William Lumpkins</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591388570786-81I7N2B5R2FVVNCMJUQR/WILLIAM_LUMPKINS_UNTITLED_ABSTRACTION_FRAME.jpg</image:loc>
      <image:title>Artists - William Lumpkins</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591389553098-NUUQUP8JR2VDJYBZLYRK/WILLIAM_LUMPKINS_UNTITLED_ABSTRACTION_79_FRAME.jpg</image:loc>
      <image:title>Artists - William Lumpkins</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591388227784-RMI2I7EEEKC91Z44WUIU/WILLIAM_LUMPKINS_LAVENDER_TOUCH_WALL.jpg</image:loc>
      <image:title>Artists - William Lumpkins</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591388563179-LB0Y47IMO31IOSHI7CMN/WILLIAM_LUMPKINS_UNTITLED_ABSTRACTION_WALL.jpg</image:loc>
      <image:title>Artists - William Lumpkins</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591389506489-IO6BL5J0BI60M1EV7UJG/WILLIAM_LUMPKINS_UNTITLED_ABSTRACTION_79_WALL.jpg</image:loc>
      <image:title>Artists - William Lumpkins</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591388238646-NVM2A8C5DREOPREQFY5V/WILLIAM_LUMPKINS_LAVENDER_TOUCH_CROP.jpg</image:loc>
      <image:title>Artists - William Lumpkins</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591388568535-V5FSPFEQZKI3PRDO7DK8/WILLIAM_LUMPKINS_UNTITLED_ABSTRACTION_CROP.jpg</image:loc>
      <image:title>Artists - William Lumpkins</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591389510636-HIUQYLWBS7TD50XUVJT3/WILLIAM_LUMPKINS_UNTITLED_ABSTRACTION_79_CROP.jpg</image:loc>
      <image:title>Artists - William Lumpkins</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591388230307-WM478J73NNBHFHQ6G9F8/WILLIAM_LUMPKINS_LAVENDER_TOUCH_DETAIL.jpg</image:loc>
      <image:title>Artists - William Lumpkins</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591386846638-E9Z3EL2VH0I7HTXRM71O/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - William Lumpkins - William Lumpkins William Lumpkins (1909-2000) was an artist and architect best known for his abstract watercolors and pioneering solar adobe architecture. He was born on a ranch near Clayton, New Mexico. His early life was dominated by hard work, and he received a sporadic early education. A childhood tutor taught him about Zen Buddhism, which made a lasting impact on his life and artwork.  In the late 1910’s, the family moved to Springville, Arizona. As an 8-year-old, Lumpkins caught sight of an artist passionately working in his studio and was inspired to follow the same path. In 1924 the family relocated again to Lincoln County, New Mexico. Lumpkins attended high school in Roswell. There he met artist Peter Hurd (1904-1984) and writer Paul Horgan, who would be influential artistic mentors.  “Peter was a grand friend,” Lumpkins said of Hurd. “He was so supportive of me and my early work. I was only working in pencil and paper—I didn’t have a pen at that time—but Pete would examine each of my primitive efforts and would critique each and every one as if they were masterpieces. More than anyone, before or since, Peter Hurd was the one person who helped me see with the eye of an artist.”  In 1927, Lumpkins took his first trip to Santa Fe with Hurd. Two years later he graduated from high school and enrolled at the University of New Mexico in Albuquerque. There he studied painting under Neil Hogner and took architecture classes from Irwin Parsons. He also met young artists Cady Wells and Andrew Dasburg, who taught him about nonrepresentational painting. During the summers, the artist recalled working feverishly throughout the day “as if possessed”. (Read More)</image:title>
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  </url>
  <url>
    <loc>https://www.brogallery.com/artists/carl-oscar-borg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591735117618-VGEUTQ1HWRLZWV6G59Z1/CARL_OSCAR_BORG_WAGON_CAMP_FRAME.jpg</image:loc>
      <image:title>Artists - Carl Oscar Borg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591735052175-6AYUR11PJPM5H23GFGSF/CARL_OSCAR_BORG_WAGON_CAMP_WALL.jpg</image:loc>
      <image:title>Artists - Carl Oscar Borg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591735119835-NSWT07WWVIZ9H7F2ZQQV/CARL_OSCAR_BORG_WAGON_CAMP_CROP.jpg</image:loc>
      <image:title>Artists - Carl Oscar Borg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591735156221-DRPRNWQSJWZ390VPI2XS/CARL_OSCAR_BORG_WAGON_CAMP_DETAIL.jpg</image:loc>
      <image:title>Artists - Carl Oscar Borg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1590865773104-I94GZUXDGQ154ZY7WCQG/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Carl Oscar Borg - Carl Oscar Borg Carl Oscar Borg, protégé of Phoebe Hearst, and friend of personalities like Edward Borein, Thomas Moran and Charles M. Russell could create any subject in any medium, and do it well. He was successful and highly regarded during his lifetime, and received numerous awards and medals. In the annals of American art history, Carl Oscar Borg belongs to the group of artists who are recognized as the great artistic interpreters of the American West, such as Couse, Sharp, Henning, Ufer, Higgins and Berninghaus. Borg belongs also to the group of artists who came to California at the turn of the century to paint and record the California landscape. Artists like Payne, Puthuff, Dixon, and Wendt. Borg’s works are included in every major museum, university, and private collection throughout the United States. He had studios in Gothenburg, Paris, Rome, Santa Barbara, San Francisco, and Los Angeles (Read More).</image:title>
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  </url>
  <url>
    <loc>https://www.brogallery.com/artists/michael-coleman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589988818225-WYB77EM8L0I73QU9TGSM/MICHAEL_COLEMAN_IN_HIS_PRIME.jpg</image:loc>
      <image:title>Artists - Michael Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1593468080406-DHDRVUMSYP9M77O2PO2E/MICHAEL_COLEMAN_BISON_AT_SUNSET_FRAME.jpg</image:loc>
      <image:title>Artists - Michael Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589988818165-VGGSXHH4CFXXXG6FYCLT/MICHAEL_COLEMAN_IN_HIS_PRIME_DETAIL_2.jpg</image:loc>
      <image:title>Artists - Michael Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1593468066824-X80C2NUW5QR0LC2U36W2/MICHAEL_COLEMAN_BISON_AT_SUNSET_WALL.jpg</image:loc>
      <image:title>Artists - Michael Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589988817435-CTPDX24AA0FNPN3DSNEN/MICHAEL_COLEMAN_IN_HIS_PRIME_DETAIL.jpg</image:loc>
      <image:title>Artists - Michael Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1593468078395-DO46WPN1C2EW88AXJ5L7/MICHAEL_COLEMAN_BISON_AT_SUNSET_CROP.jpg</image:loc>
      <image:title>Artists - Michael Coleman</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1593468079579-0X23MDCDR09HH9ILEMCY/MICHAEL_COLEMAN_BISON_AT_SUNSET_DETAIL.jpg</image:loc>
      <image:title>Artists - Michael Coleman</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589818816574-76TK0G460YMPVKOWA91O/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Michael Coleman - Michael Coleman Painter and sculpture, Michael Coleman was born and raised in Provo, Utah and spent his boyhood hunting, fishing and trapping throughout the Rocky Mountains, often taking a sketchbook with him. Early on, he decided on a career in art,  and traveled broadly for subject matter.  Coleman quickly became a prominent Southwestern artist when in 1978, at the age of 32, he was given his first retrospective at the Buffalo Bill Historical Center.  (Read More)</image:title>
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  </url>
  <url>
    <loc>https://www.brogallery.com/artists/bill-barrett</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591130391476-56G1744EJT89R67VZI7B/PasMel%C3%A91.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/544ae97d-40e3-48b7-a1cb-27872cf048e0/FAMILY_POTRAIT_32Hx24Dx40W.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/5219aa3c-1859-438b-ba8c-56b7f79bbf89/BOUQUET_108H_168W.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/c37c3142-d232-4b67-a643-71186f7f8f9c/SOJOURNER_132H_108W_96D.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/18174b7a-a5a6-453d-a9fc-782d5594981d/MUSKETEER_76H_82W_44D.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/71de6f5a-92df-442b-ac64-f65fee6b8647/Lexeme_IX_108H_78W_60D.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
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      <image:title>Artists - Bill Barrett</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589391054137-RR4PV1FV071920W9WIU9/BILL_BARRETT_ARCADIA_FULL.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589391182815-83J2X1Z7HG0HOK2IOVQ0/BILL_BARRETT_DNA_FULL.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591130404658-KVLC0K5TA9KZ05TF6ROM/PasMel%C3%A92.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591130451697-3KIY6E2HXFRWD370PJ77/PasMel%C3%A93.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591130404779-GY9UZJ09G80XL25C6QZL/PasMel%C3%A94.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1591130408339-6LHV4T2CO1W5UCTIGBO2/PasMel%C3%A95.jpg</image:loc>
      <image:title>Artists - Bill Barrett</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589389907901-MH0O35OR4F5T43QVJDPN/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Bill Barrett - Bill Barrett Bill Barrett, one of today’s foremost sculptors, was born in Los Angeles, CA. He earned a B.S. and M.S. in Design from the University of Michigan, and later an M.F.A. from the same institution. Since the mid 1960’s Barrett has been exhibiting his unique metal sculptures and abstract paintings in numerous solo and group exhibitions in such places as the U.S., Switzerland, Bulgaria and Japan. Barrett’s sculptures of fabricated aluminum, bronze or steel address the interplay between positive and negative space with grace, elegance and exquisite balance. His works call to mind the fluid effortlessness of calligraphic strokes, and betray a positivism to which many viewers feel drawn. His sophisticated constructions, through a delicate balance of form and content, transcend the starker aesthetics of minimalism with a warmth and humanity. (Read More)</image:title>
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  </url>
  <url>
    <loc>https://www.brogallery.com/artists/kollabs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/ec5f4ab7-09bf-4991-ba83-648127980e9e/KOLLABS_LENNOX_AND_LULU_CROP.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/4f418e3c-50fb-4637-acee-ad167c50af09/MOSES-60X60.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/dc998935-4637-4c90-bd84-eddc84562053/OLIVER-48-ROUND.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/cd7e5339-1866-493c-8dbb-dc996a2acd64/SOREN-40X40.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/b1c86057-eccc-4cc0-bc76-8b857f5b8802/Isaac_and_Ian.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/8383df4a-aafa-4ede-8713-7b21b821c732/KOLLABS_LENNOX_AND_LULU_DETAIL.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:title>Artists - Kollabs</image:title>
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      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/5b4f963a-a2b4-42d6-b58f-6becb324d69d/OLIVER_DETAIL.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/5c2b6824-d78f-4c66-a137-a20affac00e5/SOREN_DETAIL.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/4dd861ce-af01-4dad-a33d-44cc6e8b20ed/NOLAN_DETAIL.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/4abbb966-503e-4dd0-8d84-45e0b8aeadf9/Isaac_and_Ian_Detail.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/000aaf64-19c2-4c92-b1d4-e10edd2a183a/Kollabs_Colt_and_Casey_Detail.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/7d2d9d3d-6414-418e-a11d-4b497316661c/OLIVER_DETAIL_2.jpg</image:loc>
      <image:title>Artists - Kollabs</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/b0bb542e-951d-4e5b-a0db-e5d3933dff07/PROFILE.jpg</image:loc>
      <image:title>Artists - Kollabs - Kollabs Kollabs is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In our work, we create compositions juxtaposing undomesticated animals within domestic and urban enviroments, highlighting the interaction between wildlife and the human experience. Over the past 15 years we have created works that present an anthropomorphized wilderness that blurs the boundaries between wild and domestic. Through ambiguous narratives, we invite viewers to pause and consider their relationships with nature and one another. It is through this reflection that we hope viewers make connections to the power of nature and within themselves. The power and potential for nature to engage the human conscious is not dictated by race, class, or culture. Nature does not discriminate and is inclusive to all viewers. We reflect on ourselves when we see the behaviors of animals and question our individual relationships to each other and the Earth. It is because of this power that we propose to bring the outside in with our work. Luis Garcia Nerey lives and works in Miami, Florida and Anke Schofield lives and works in Atlanta, Georgia. We divide our creative time traveling between studios in both Miami and Atlanta. MUSEUM EXHIBITIONS &amp; ART FAIRS (Read More)</image:title>
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  </url>
  <url>
    <loc>https://www.brogallery.com/artists/albert-bierstadt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/4621fa5a-41f3-4872-b930-17e3ed5ab3a9/Albert_Bierstadt_Rocky_Mountains_Frame.jpg</image:loc>
      <image:title>Artists - Albert Bierstadt</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/f6a77535-f0b6-491b-9753-83955805c3a5/Albert_Bierstadt_Rocky_Mountains_Crop.jpg</image:loc>
      <image:title>Artists - Albert Bierstadt</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/81e1b755-8c45-43a7-b194-f7c54d029fec/Albert_Bierstadt_Rocky_Mountains_Detail.jpg</image:loc>
      <image:title>Artists - Albert Bierstadt</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/aecd6e05-3c0a-47f6-9165-5d1c17c537db/Albert_Bierstadt_Rocky_Mountains_Wall.jpg</image:loc>
      <image:title>Artists - Albert Bierstadt</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1628966280464-0Q177LCZ4A19TRUFBBKS/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Albert Bierstadt - Albert Bierstadt Albert Bierstadt (January 7, 1830 – February 18, 1902) was a German-American painter best known for his lavish, sweeping landscapes of the American West. He joined several journeys of the Westward Expansion to paint the scenes. He was not the first artist to record the sites, but he was the foremost painter of them for the remainder of the 19th century. Bierstadt was born in Prussia, but his family moved to the United States when he was one year old. He returned to study painting for several years in Düsseldorf. He became part of the second generation of the Hudson River School in New York, an informal group of like-minded painters who started painting along the Hudson River. Their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called luminism. Bierstadt was an important interpreter of the western landscape, and he is also grouped with the Rocky Mountain School.</image:title>
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  </url>
  <url>
    <loc>https://www.brogallery.com/artists/glen-edwards</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589456931782-610WTKIWBE58LYTVDOB8/GLEN_EDWARDS_TRAVELING_COMPANIONS_FRAME.jpg</image:loc>
      <image:title>Artists - Glen Edwards</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589457093347-PNEL1078FNEAWFQ0NEG6/GLEN_EDWARDS_WATERING_HOLE_FRAME.jpg</image:loc>
      <image:title>Artists - Glen Edwards</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589457275018-Q2ICI96NAB3SULJF1CXV/GLEN_EDWARDS_FRANK_FRAME.jpg</image:loc>
      <image:title>Artists - Glen Edwards</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589456565453-TPMY3Z2TX939KAMWSZZI/GLEN_EDWARDS_WAITING_WARRIORS_FRAME.jpg</image:loc>
      <image:title>Artists - Glen Edwards</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589456683181-HYZ3WK3UAJOORM979RTT/GLEN_EDWARDS_THUNDER_FRAME.jpg</image:loc>
      <image:title>Artists - Glen Edwards</image:title>
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      <image:title>Artists - Glen Edwards</image:title>
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      <image:title>Artists - Glen Edwards</image:title>
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      <image:title>Artists - Glen Edwards</image:title>
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      <image:title>Artists - Glen Edwards</image:title>
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      <image:title>Artists - Glen Edwards</image:title>
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      <image:title>Artists - Glen Edwards</image:title>
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      <image:title>Artists - Glen Edwards</image:title>
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      <image:title>Artists - Glen Edwards</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589456987160-RUPS43RP2U5L7JROFL0S/GLEN_EDWARDS_TRAVELING_COMPANIONS_DETAIL.jpg</image:loc>
      <image:title>Artists - Glen Edwards</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589457092611-CYTA64WVT66A956AIHXH/GLEN_EDWARDS_WATERING_HOLE_DETAIL.jpg</image:loc>
      <image:title>Artists - Glen Edwards</image:title>
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      <image:title>Artists - Glen Edwards</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589456563814-UMDPC1KHFPZML2B1XGQZ/GLEN_EDWARDS_WAITING_WARRIORS_DETAIL.jpg</image:loc>
      <image:title>Artists - Glen Edwards</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589456682674-D1AE4EB1RPREQF1T4I85/GLEN_EDWARDS_THUNDER_DETAIL.jpg</image:loc>
      <image:title>Artists - Glen Edwards</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588863966704-M9NRF886W67E6CRU82KO/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Glen Edwards - Glen Edwards (1936 - 2019) Glen Edwards ability to paint “real” people shows up in his award winning watercolor and oil paintings. His paintings have been exhibited in many one-man and juried international, national, regional, state and local exhibits and are collected by people throughout the world. (Read More)</image:title>
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  </url>
  <url>
    <loc>https://www.brogallery.com/artists/tom-howard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-08</lastmod>
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      <image:title>Artists - Tom Howard</image:title>
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      <image:title>Artists - Tom Howard</image:title>
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      <image:title>Artists - Tom Howard</image:title>
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      <image:title>Artists - Tom Howard</image:title>
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      <image:title>Artists - Tom Howard</image:title>
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      <image:title>Artists - Tom Howard</image:title>
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      <image:title>Artists - Tom Howard</image:title>
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      <image:title>Artists - Tom Howard</image:title>
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      <image:title>Artists - Tom Howard</image:title>
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      <image:title>Artists - Tom Howard</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588691896555-9GY8KZ3PWKD7UZMQJWM1/TOM_HOWARD_APPROACHING_STORM_DETAIL.jpg</image:loc>
      <image:title>Artists - Tom Howard</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588617186012-V009KR7FEE0ETV23Y3IZ/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Tom Howard - Tom Howard Tom Howard (1957), of Kearns, Utah, is a painter in oils and watercolor. Born in Las Vegas, Nevada, and raised in northern Utah, Tom earned a BFA at the University of Utah in 1984 and an MFA at Brigham Young University in 1995. He is known for his landscape images of the American West. (Read More)</image:title>
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  </url>
  <url>
    <loc>https://www.brogallery.com/artists/andy-warhol</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-16</lastmod>
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      <image:title>Artists - Andy Warhol</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588522327835-WE7MVG2L3P7C3TQKQ8FD/ANDY_WARHOL_SITTING_BULL_FRAME.jpg</image:loc>
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      <image:title>Artists - Andy Warhol</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588458351383-PRDU8KZFQTUPDEUEA489/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Andy Warhol - Andy Warhol More than any other artist of his era, Andy Warhol served as a cultural anthropologist, recording the fascinating and ever-changing American culture that existed in the second half of the 20th century.Born Andrew Warhola to immigrant parents near Pittsburgh in 1928, Andy showed artistic talent at a young age. As a sickly child, he was often bedridden and would draw and color for hours on end. Following high school graduation, Warhol attended the Carnegie Institute of Technology and later moved to New York City to pursue his artistic career. Although Warhol often tried to hide his simple origins it is perhaps the early years of his life, devoid of glamour and full of illness, that spurred his obsession with beauty and magnificence. (Read More)</image:title>
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    <lastmod>2021-07-16</lastmod>
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      <image:title>Artists - Jan Grotenbreg</image:title>
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      <image:title>Artists - Jan Grotenbreg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1593717578827-71K7F0G5XIXJBMX9R3JA/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Jan Grotenbreg - Jan Grotenbreg Jan Grotenbreg was born in the historical Dutch town of Alkmaar, famous for its legendary cheese market, in the northern part of Holland. He studied painting at the School of the Arts in the University city of Tilburg in the southern part of the country. Since 1967 he works and lives in Amsterdam in a studio on the top floor in an extraordinary building, that has been created in the 1930′s especially for artists. From here, he has an incredible view of the sky with clouds that inspired him: “The constant change, elusiveness and evidence along with the fantastic gray colours form an interesting aspect, each cloud formation has one brilliant moment and when I see an interesting cloud I panic, I got to start working. This is the price I have to pay for this relationship”, according to Grotenbreg in an interview. (Read More)</image:title>
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  <url>
    <loc>https://www.brogallery.com/artists/gordon-mcconnell</loc>
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    <priority>0.5</priority>
    <lastmod>2020-05-01</lastmod>
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      <image:title>Artists - Gordon McConnell</image:title>
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      <image:title>Artists - Gordon McConnell</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588356536123-ZROXVO7SOZHHKLG0YNTG/GORDON_MCCONNELL_SILHOUETTED_HORSES_FRAME.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588355628562-6EPS440CI98QFYLDAYD9/GORDON_MCCONNELL_CLOUDSPLITTER_CROP.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588355766846-4RF5YKSZOJHYC6Q9HHE4/GORDON_MCCONNELL_SPANNING_THE_PASS_WALL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588355883762-Q0QE3W1REGN9P9DG81KU/GORDON_MCCONNELL_BUGLE_CROP.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588356173057-Y45A7XCIYS1C3PM8W5EG/GORDON_MCCONNELL_BIGHORN_HORSES_6_WALL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588356323142-M11ECFAAYG7NKB3YVX8I/GORDON_MCCONNELL_RUNAWAY_WALL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588356533255-I97F8ALA9J23OZ81KB0Q/GORDON_MCCONNELL_SILHOUETTED_HORSES_WALL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588355627949-3ALP7J2OYFGDY6N1EMP9/GORDON_MCCONNELL_CLOUDSPLITTER_WALL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588355768176-XNIDN5P14US3U1KPNAHJ/GORDON_MCCONNELL_SPANNING_THE_PASS_CROP.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588355876196-FBDNDXPC8PN28RUZHA3U/GORDON_MCCONNELL_BUGLE_WALL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588356174740-AEPKFWNL5AASI4X4WYMR/GORDON_MCCONNELL_BIGHORN_HORSES_6_CROP.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588356381691-8FUR70Q7RMGJCYMYA5NG/GORDON_MCCONNELL_RUNAWAY_CROP.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588356535568-4RF45OYS9W03X4ZTF4F0/GORDON_MCCONNELL_SILHOUETTED_HORSES_CROP.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588355628660-FIUTNGLZZXIKH438PTOJ/GORDON_MCCONNELL_CLOUDSPLITTER_DETAIL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588355768095-49HH8PZDX4659K346T90/GORDON_MCCONNELL_SPANNING_THE_PASS_DETAIL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588355877636-3CJORB0Y1MU4P0UXF6AI/GORDON_MCCONNELL_BUGLE_DETAIL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588356174893-OQU9J9KXR6HIXUY4UQ01/GORDON_MCCONNELL_BIGHORN_HORSES_6_DETAIL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588356382013-FHLJ8J6FM1SPCUBE6STC/GORDON_MCCONNELL_RUNAWAY_DETAIL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588356536259-W0RT0YAV4F0ZYL8QC8OU/GORDON_MCCONNELL_SILHOUETTED_HORSES_DETAIL.jpg</image:loc>
      <image:title>Artists - Gordon McConnell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588355099563-6TG9DJQIDSKAEF6LMVGB/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Gordon McConnell - Gordon McConnell Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master’s Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.brogallery.com/artists/billy-schenck</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/0e9742ab-a6f7-4f2b-aa96-0777b9289762/Bonzai_Cottonwood_Frame.jpg</image:loc>
      <image:title>Artists - Billy Schenck</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/b93e498c-db78-4391-bc3a-adac4629badf/Billy_Schenck_West_Texas_Roundup_Frame.jpg</image:loc>
      <image:title>Artists - Billy Schenck</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/4dad0fc2-8a54-4d4d-9833-775dcda6e81a/Bonzai+Cottonwood-Full+Res.jpeg</image:loc>
      <image:title>Artists - Billy Schenck</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/99f5780b-22d9-4d3b-8829-0b5eb3b11d44/Billy_Schenck_West_Texas_Roundup_Crop.jpg</image:loc>
      <image:title>Artists - Billy Schenck</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/0a0425c9-3707-4773-99de-135dee281d85/Bonzai_Cottonwood_Detail.jpg</image:loc>
      <image:title>Artists - Billy Schenck</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/d5c32df2-24cf-467e-9a60-67ca1d2a51c5/Billy_Schenck_West_Texas_Roundup_Detail.jpg</image:loc>
      <image:title>Artists - Billy Schenck</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1585601517083-XKOOH9D4T8QM2CG44SOT/Billy+Famous.jpg</image:loc>
      <image:title>Artists - Billy Schenck - Billy Schenck Billy Schenck has been known internationally for 44 years as one of the originators of the contemporary "Pop" western movement. Schenck has had over 100 solo shows and is included in 44 museum collections. Bill Schenck was born in a small town north of Columbus, Ohio, in 1947. He spent childhood summers exploring the wilderness near Lander, Wyoming. He attended Columbus College Of Art and Design from 1965 to 1967, and received his BFA from Kansas City Art Institute in 1969.  While still a young man, he moved to New York where he was influenced by the Photo-Realists, Color Field, and Minimalist painters in vogue at the time.  When he was 24 years old, his first solo show in New York City sold out. Read More</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.brogallery.com/artists/takefumi-hori</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/a3072338-7d87-4b4f-83aa-3ecdd035d793/TAKEFUMI_HORI_UNTITLED_40.jpg</image:loc>
      <image:title>Artists - Takefumi Hori</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/8be413db-88c6-4733-ad47-99de443253ca/TAKEFUMI_HORI_UNTITLED_40_DETAIL.jpg</image:loc>
      <image:title>Artists - Takefumi Hori</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1680902429275-OLMH7G6J2S5R9K29S21L/TAKEFUMI_HORI_UNTITLED_40.jpg</image:loc>
      <image:title>Artists - Takefumi Hori - Takefumi Hori Takefumi Hori was born in 1978 in Tokyo, Japan where he also later studied Japanese calligraphy. After moving to New York in 2004, he started work on his abstract paintings with acrylic on canvas. Since 2009, Takefumi has been making his gold abstract paintings. He currently lives and works in Brooklyn, New York. Working from my studio in Brooklyn, I find myself surrounded by the hustle and bustle of everyday urban life. The dynamic and vibrant energy of people in New York City has been inspiring me in a great deal: the atmosphere and energy alongside the material wealth and prosperity of this financial hub are juxtaposed with the calm serenity of classically uncomplicated geometry and composition. To express all that energy, I adopted gold (i.e. 24 karat gold ) as a main material for my paintings. After long and intensive experiments, I achieved to develop my one of a kind painting style.  I discovered that compositional elements such as circles, squares and rectangles are ideal forms for gold to work with other colors on my paintings. My compositions of these elements are based on my experience with Japanese calligraphy: I place the center of visual weight to the lower left and create movement to the upper right of a canvas. This is to represent my intention of merging Eastern art traditions with Western art.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.brogallery.com/artists/ewoud-de-groot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1587676055760-ICTGC6CHY531N5M9VVWP/DE_GROOT_BULL_ELK_FRAME.jpg</image:loc>
      <image:title>Artists - Ewoud de Groot</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/33439e4c-b72a-4b73-9147-a309f7b7e200/EWOUD_DE_GROOT_HOODED_MERGANSERS_FRAME.jpg</image:loc>
      <image:title>Artists - Ewoud de Groot</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/cda06c1e-26d0-4780-8049-877c7ec4d8a9/EWOUD_DE_GROOT_REFLECTING_OYSTERCATCHERS_FRAME.jpg</image:loc>
      <image:title>Artists - Ewoud de Groot</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1587676055855-QB3GQMB3MXIVYFRU776K/DE_GROOT_BULL_ELK_WALL.jpg</image:loc>
      <image:title>Artists - Ewoud de Groot</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/20cf0839-1f72-4c49-a89d-c645b78da65f/EWOUD_DE_GROOT_HOODED_MERGANSERS_CROP.jpg</image:loc>
      <image:title>Artists - Ewoud de Groot</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/42356e04-d6e6-44bd-ba4f-f782711f8a87/EWOUD_DE_GROOT_REFLECTING_OYSTERCATCHERS_CROP.jpg</image:loc>
      <image:title>Artists - Ewoud de Groot</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1587676055638-SRH4X2JXW67YMW3BJQTD/DE_GROOT_BULL_ELK_CROP.jpg</image:loc>
      <image:title>Artists - Ewoud de Groot</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/4e826617-7231-42c1-9c0c-161c74962105/EWOUD_DE_GROOT_HOODED_MERGANSERS_DETAIL.jpg</image:loc>
      <image:title>Artists - Ewoud de Groot</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/138f2214-5a58-431e-a66b-392b7b7ded61/EWOUD_DE_GROOT_REFLECTING_OYSTERCATCHERS_DETAIL.jpg</image:loc>
      <image:title>Artists - Ewoud de Groot</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1587676054630-SOZ6HYVP813MZIVD22L8/DE_GROOT_BULL_ELK_DETAIL.jpg</image:loc>
      <image:title>Artists - Ewoud de Groot</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1593717056350-WWD0OD5HII6TW9DSOJSS/ARTIST_PROFILE.jpg</image:loc>
      <image:title>Artists - Ewoud de Groot - Ewoud de Groot While most wildlife artists paint their subject matter in an attempt at photorealism, de Groot takes a more unique approach to his painting by adding elements of abstraction. To him a good painting is about exploring all different facets of composition, color and technique. While de Groot considers himself a figurative painter, he attempts to find a balance and tension between abstract settings and realism in his subjects. It could be said that he is on the frontier between figurative and non-figurative or in the gray area between traditional and modern. (Read More).</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.brogallery.com/artists/edward-curtis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588094567822-PGJ3BYKWWC4K3JLAQRDG/EDWARD_CURTIS_WAIHUSIWA_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588094705725-XKF3ZERD4894AQVB7BMA/EDWARD_CURTIS_WALPI_MAN_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588094919978-UX0OPV0WB9Y6YFSHEEGS/EDWARD_CURTIS_WOLF_LIES_DOWN_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588095057343-BW5XF8RP7V8TOFDYYUSZ/EDWARD_CURTIS_HOOP_ON_THE_FOREHEAD_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588095237520-Q8JBKIDUFZYWUEM6KGI6/EDWARD_CURTIS_LUZI_PAPAGO_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588095616888-K7FUUFT73I6JPX7DJWMF/EDWARD_CURTIS_FLATHEAD_DANCE_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588095754927-2F7O2VWRABTXPBN96RX9/EDWARD_CURTIS_SLOW_BULL_OGALALA_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588096093682-6L47W2ISU71YKLSU0VM1/EDWARD_CURTIS_WOMEN_OF_THE_DESERT_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589655525697-0REFZ9O5ZZ4DUSN8QLQL/EDWARD_CURTIS_CHIEFS_DAUGHTER_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589655731621-WIKG8YPVC27KGHAQV02S/EDWARD_CURTIS_HLEASTUNUH_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589655855346-FNVMSX6NZI5P47XQSKU1/EDWARD_CURTIS_OLA_NOATAK_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1589655975087-HOR9MA1X4Y8IPUTD2BN5/EDWARD_CURTIS_LUMMI_WOMAN_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588094385427-AEWBLKUXSSFF8T0EHY06/EDWARD_CURTIS_HASTOBIGA_FRAME.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588094566058-NB39FR82V95LS8L84KY6/EDWARD_CURTIS_WAIHUSIWA_WALL.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588094755128-UAWF8JNTV8A4T78OAYYE/EDWARD_CURTIS_WALPI_MAN_WALL.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e613689f5d57a2ac0ed0fec/1588094918768-VE6J4KS8R0ZB7LSU9T8Y/EDWARD_CURTIS_WOLF_LIES_DOWN_WALL.jpg</image:loc>
      <image:title>Artists - Edward Curtis</image:title>
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      <image:title>Artists - Edward Curtis - Edward S. Curtis (1868-1952) Born in 1868 near Whitewater, Wisconsin, Edward Sheriff Curtis became one of America’s finest photographers and ethnologists. Beginning in 1896 and ending in 1930, Curtis photographed and documented every major Native American tribe west of the Mississippi, taking over 40,000 negatives of eighty tribes. For thirty years, he devoted his life to an odyssey of photographing and documenting the lives and traditions of the Native people of North America. His photographs had an immense impact on the national imagination and continue to shape the way we see Native life and culture. (Read More)</image:title>
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